Natural history -- England -- Wiltshire; Wiltshire (England) -- Description and travel
In the bright sunshine, when there is not a cloud in the sky, slender
beetles come forth from the cracks of the earth and run swiftly across
the paths, glittering green and gold, iridescent colours glistening on
their backs. These are locally called sunbeetles, because they appear
when the sun is brightest. Be careful not to step on or kill one; for
if you do it will certainly rain, according to the old superstition.
The blackbird, when he picks up one of the larger beetles, holds it with
its back towards him in his bill, so that the legs claw helplessly at
the air, and thus carries it to a spot where he can pick it to pieces at
his leisure.
The ha-ha wall of the orchard is the favourite haunt of butterflies;
they seem to love its sunny aspect, and often cling to the loose stones
like ornaments attached by some cunning artist. Sulphur butterflies
hover here early in the spring, and later on white and brown and tiny
blue butterflies pass this way, calling _en route_. Sometimes a great
noble of the butterfly world comes in all the glory of his wide velvety
wings, and deigns to pause awhile that his beauty may be seen.
Somewhere within doors, in the huge beams or woodwork, the death-tick is
sure to be heard in the silence of the night: even now the old folk
listen with a lingering dread. Give the woodwork a smart tap, and the
insect stops a few moments, but it rapidly gets accustomed to such taps,
and after a few ceases to take notice of them. This manner of building
houses with great beams visibly supporting the ceiling, passing across
the roam underneath it, had one advantage. On a rainy day the children
could go into the garrets or the cheese-loft and there form a swing,
attaching the ropes to the hooks in the beam across the ceiling.
The brewhouse, humble though its object may be, is not without its claim
to admiration. It is open from the floor to the rafters of the roof,
and that roof in its pitch, the craft of the woodwork, the dull polish
of the old oak, has an interest far surpassing the dead staring level of
flat lath and plaster. Noble workmanship in wood may be found, too, in
some of the ancient barns; sometimes the beams are of black oak, in
others of chestnut.
Public-domain text, read in full here on John Shaqi.
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