Since this family dwelt here, and well within what may be called the household memory, the very races of animals have changed or been supplanted. The cows in the field used to be longhorns, much more hardy, and remaining in the meadows all the winter, with no better shelter than the hedges and bushes afforded. Now the shorthorns have come, and the cattle are housed carefully. The sheep were horned--up in the lumber-room two or three horns are still to be found. The pigs were of a different kind, and the dogs and poultry. If the race of men have not changed they have altered their costume; the smock-frock lingered longest, but even that is going. Some of the old superstitions hung on till quite recently. The value of horses made the arrival of foals an important occasion, and then it was the custom to call in the assistance of an aged man of wisdom--not exactly a wizard, but something approaching it nearly in reputation. Even within the last fifteen years the aid of an ancient like this used to be regularly invoked in this neighbourhood; in some mysterious way his simple presence and good-will--gained by plentiful liquor--was supposed to be efficacious against accident and loss. The strangeness of the business was in the fact that his patrons were not altogether ignorant or even uneducated--they merely carried on the old custom, not from faith in it, but just because it was the custom. When the wizard at last died nothing more was thought about it. Another ancient used to come round once or twice in the year, with a couple of long ashen staves, and the ceremony performed by him consisted in dancing these two sticks together in a fantastic manner to some old rhyme or story. The parlour is always full of flowers--the mantelpiece and grate in spring quite hidden by fresh green boughs of horse-chestnut in bloom, or with lilac, blue bells, or wild hyacinths; in summer nodding grasses from the meadows, roses, sweet-briar; in the autumn two or three great apples, the finest of the year, put as ornaments among the china, and the corners of the looking-glass decorated with bunches of ripe wheat. A badger's skin lies across the back of the armchair; a fox's head, the sharp white tusks showing, snarls over the doorway; and in glass cases are a couple of stuffed kingfishers, a polecat; a white blackbird, and a diver--rare here--shot in the mere hard by. On the walls are a couple of old hunting pictures, dusky with age, but the crudity of the colours by no means toned down or their rude contrast moderated: bright scarlet coats, bright white horses, harsh green grass, prim dogs, stiff trees, human figures immovable in tight buckskins; running water hard as glass, the sky fixed, the ground all too small for the grouping, perspective painfully emphasised, so as to be itself made visible; the surface everywhere `painty'--in brief, most of the possible faults compressed together, and proudly fathered by the artist's name in full.