Wild life under the equator : $b narrated for young peopleDu Chaillu, Paul B. (Paul Belloni)
General
Wild life under the equator : $b narrated for young people
Du Chaillu, Paul B. (Paul Belloni)
Africa, West -- Description and travel -- Juvenile literature
Now let us come to Njambai. Njambai is a spirit, a very good spirit, who
protects the women. All the tribes I have visited believe in him or her,
though with all the name is not the same. All the women venerate
Njambai. This worship of the women is a kind of mystery, no men being
admitted to the ceremonies, which are carried on in a house very
carefully closed. This house was covered with dry palm and banana
leaves, and had not even a door open to the street. To make all close,
so as to prevent the eyes of man from penetrating into it, it was set
against two other houses, and the entrance was through one of these, so
that complete darkness reigned in the house of Njambai. Mbango and
friend Quengueza warned me not to go to the place, for the King
said—“Ntanga, I myself can not go and have a look.”
[Sidenote: _MYSTERIOUS WORSHIP OF THE WOMEN._]
The feast of Njambai takes place once a year.
The women had come from all the villages round; they had come for the
Njambai feast. They had all painted their faces and bodies, were beating
drums, and marching about the town. Now and then they would all go into
the forest, whence I could hear their wild songs. From time to time they
entered the Njambai-house, where they danced inside and outside; and one
night they made a most outrageous noise, far greater than even the men
had made when I came to the village.
I thought it pretty hard not to be able to sleep. After a few days I
began to feel the need of it, but I did not wish to go and make my camp
in the woods, for I wanted to see the feast of Njambai. The men were
hunting all the time, and all the game they killed or caught they
brought to the women, who offered them all to Njambai.
On the second day they nearly all went off into the woods, and their
songs were something wonderful. Now and then I could hear the name of
Njambai. I noticed that in the morning a few had entered the
Njambai-house, where they remained, keeping a mysterious silence. Now my
curiosity, which had been greatly excited to know what took place in
that secret worship, finally overcame me. I resolved to see the inside
of this house if I could. I fancy many of you would have done the same.
I walked several times up and down the street to avoid suspicion.
Looking round and seeing nobody, I went quietly by the house, and at
last suddenly pushed aside some of the leaves that formed the walls and
stuck my head through it. For a moment I could distinguish nothing in
the darkness. Then I beheld three perfectly naked old hags sitting on
the clay floor, with an immense bundle of greegrees or fetiches before
them, which they seemed to be contemplating in silent adoration.
[Illustration: INTERIOR OF THE NJAMBAI-HOUSE.]
[Sidenote: _AM BESIEGED BY THE WOMEN._]
Public-domain text, read in full here on John Shaqi.
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