So the bobolink who swung so conspicuously on the meadow grass in June
in his black and white suit comes through the moulting season brown
as a sparrow. The vivid blue of the indigo bunting falls from him in
patches and is replaced by grayish brown in a large measure.
No wonder that, utterly tired out and their brilliant plumage scattered
and changed to dull and rusty colors, the birds are silent for a time,
waiting for strength to recuperate. Some of them seem to retain enough
courage and vitality to sing mornings through the moulting season,
notably the robins. I suspect, though, that these faithful few--for the
robin singers of the morning of the first day of August will be as one
to twenty to those of the first day of June--are gay young sports who
did not care to marry, or who, disappointed in love, still sing to keep
their courage up. It is the best singers who are most strangely silent
now, as they have been for weeks; nor will most of them be heard until
next spring, hereabouts.
My catbird was so sorrowfully unseen and unheard that I began to think
the cat had got him, till I hunted him up, down the hill among the
scrub oaks. He was as dilapidated and passé-looking as his nest in the
lilacs; as if, like it, the young birds had kicked him pretty nearly
to pieces before they got through with him. But he perked up a bit
when he saw me, flipped an apology for a tail, and miaued in a manner
that was humorously unlike him, it was so deprecatory. But that was a
week or ten days ago. Yesterday I heard some bird cooing a little song
to himself out in the arbor-vitæ trees at the foot of the garden, and
slipping quietly up found that it was the catbird again. He was quite
sleek in his new coat, and he was practising his song in a delightful
undertone, as if to be sure that he should not forget it altogether.
In four or five weeks more he will begin to flip saucily across the
miles of country that separate him from his winter home in Southern
Florida, or perhaps farther yet in some stretch of primeval forest that
I myself have seen and loved in the heart of Santo Domingo. He will
not sing his song there, high on some giant ceiba or swinging on the
plume of some royal palm. He may not sing it again here on the tip of
the tallest white lilac bush, but I know that, there or here, he will
practise it now and then in that soft, sweet undertone which you would
not believe of a catbird, and be ready to send it forth in jubilant
peals when his strong wings bring him back again next May. My bluebirds
may winter with him; and if they do I have hopes that he may persuade
them to try my pear-tree box once more next spring.
THE POND AT LOW TIDE
THE POND AT LOW TIDE
Public-domain text, read in full here on John Shaqi.
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