Wild Wales: The People, Language, & SceneryBorrow, George
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Wild Wales: The People, Language, & Scenery
Borrow, George
Borrow, George, 1803-1881 -- Travel -- Wales; Wales -- Description and travel
Nevertheless, long did I stare at that tomb which, though not that of the
Rose of Mona and his queen, is certainly the tomb of some mighty one of
the mighty race of Theodore—then saying something in Welsh to the pretty
damsel at which she started, and putting something into her hand, at
which she curtseyed, I hurried out of the church.
CHAPTER XXXVII
Mental Excitation—Land of Poets—The Man in Grey—Drinking Healths—The
Greatest Prydydd—Envy—Welshmen not Hogs—Gentlemanly Feeling—What
Pursuit?—Tell him to Walk Up—Editor of the _Times_—Careful
Wife—Departure.
I regained the high road by a short cut, which I discovered across a
field. I proceeded rapidly along for some time. My mind was very much
excited: I was in the birth-place of the mighty Tudors—I had just seen
the tomb of one of them; I was also in the land of the bard; a country
which had produced Gwalchmai who sang the triumphs of Owain, and him who
had sung the Cowydd of Judgment, Gronwy Owen. So no wonder I was
excited. On I went reciting bardic snatches connected with Anglesey. At
length I began repeating Black Robin’s ode in praise of the island, or
rather my own translation of it, executed more than thirty years before,
which amongst others, contains the following lines:—
“Twelve sober men the muses woo,
Twelve sober men in Anglesey,
Dwelling at home, like patriots true,
In reverence for Anglesey.”
“Oh,” said I, after I had recited that stanza, “what would I not give to
see one of those sober patriotic bards, or at least one of their
legitimate successors, for by this time no doubt, the sober poets,
mentioned by Black Robin, are dead. That they left legitimate successors
who can doubt? for Anglesey is never to be without bards. Have we not
the words, not of Robin the Black, but Huw the Red to that effect?
“‘Brodir, gnawd ynddi prydydd;
Heb ganu ni bu ni bydd.’
“That is: a hospitable country, in which a poet is a thing of course. It
has never been and will never be without song.”
Public-domain text, read in full here on John Shaqi.
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