Wild Wales: The People, Language, & SceneryBorrow, George
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Wild Wales: The People, Language, & Scenery
Borrow, George
Borrow, George, 1803-1881 -- Travel -- Wales; Wales -- Description and travel
Much rain fell about the middle of the month; in the intervals of the
showers I occasionally walked by the banks of the river, which speedily
became much swollen; it was quite terrible both to the sight and ear near
the “Robber’s Leap;” there were breakers above the higher stones at least
five feet high, and a roar around almost sufficient “to scare a hundred
men.” The pool of Catherine Lingo was strangely altered; it was no
longer the quiet pool which it was in summer, verifying the words of the
old Welsh poet that the deepest pool of the river is always the stillest
in the summer and of the softest sound, but a howling turbid gulf, in
which branches of trees, dead animals, and rubbish were whirling about in
the wildest confusion. The nights were generally less rainy than the
days, and sometimes by the pallid glimmer of the moon I would take a
stroll along some favourite path or road. One night, as I was wandering
slowly along the path leading through the groves of Pen y Coed, I was
startled by an unearthly cry—it was the shout of the dylluan, or owl, as
it flitted over the tops of the trees on its nocturnal business.
Oh, that cry of the dylluan! what a strange, wild cry it is; how unlike
any other sound in nature! a cry which no combination of letters can give
the slightest idea of. What resemblance does Shakespear’s
to-whit-to-whoo bear to the cry of the owl? none whatever; those who hear
it for the first time never know what it is, however accustomed to talk
of the cry of the owl and to-whit-to-whoo. A man might be wandering
through a wood with Shakespear’s owl-chorus in his mouth, but were he
then to hear for the first time the real shout of the owl, he would
assuredly stop short and wonder whence that unearthly cry could proceed.
Yet no doubt that strange cry is a fitting cry for the owl, the strangest
in its habits and look of all birds, the bird of whom by all nations the
strangest tales are told. Oh, what strange tales are told of the owl,
especially in connection with its long-lifedness; but of all the strange,
wild tales connected with the age of the owl, strangest of all is the old
Welsh tale. When I heard the owl’s cry in the groves of Pen y Coed, that
tale rushed into my mind. I had heard it from the singular groom, who
had taught me to gabble Welsh in my boyhood, and had subsequently read it
in an old tattered Welsh story-book, which by chance fell into my hands.
The reader will perhaps be obliged by my relating it.
Public-domain text, read in full here on John Shaqi.
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