Historical fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Fiction
Drifting away to the south pasture and the woods, Reuben heard also a
catbird in a budding thicket, chuckling and mewling and singing in a
dozen voices, attempting alone the merriment of a full choir, sounding
the bravura of summer before its time, fantastic, strong and sweet as
the reed of the horned god. Furry silver softness of pussy willows shone
at the edge of the woods; further in, he found the never-distant symbols
of struggle and pain, for the tips of the wild grape were becoming
fingers, later to grow aggressive, cruel in silent pressure, though all
they seek is an island of space in the sunlight. He heard the peeper
frogs, the delicate violence in their amorous throats, and now and then
the ponderous grumble of a big frog, not yet sustained in the organpoint
of summer but large as the owl-voices that had been disturbing the night
woods all winter long. He watched a robin carrying mud with a purpose,
and other small architects concerned with the foundations of secret
houses, and sat long silent in his watching; silent and thinking now and
again of something said by Mr. Welland which seemed not unrelated to
springtime and the nesting of birds: "I do believe in God, Reuben, but I
must tell you my faith is rather like that of a man on a cloudy day who
hath some notion the sun may come out before evening. Should the sky
remain overcast he will not be too sadly dismayed and may fall asleep
with ease. And I suggest, it is no belittling of mine own faith, that I
reject the arrogance of certainty."
Silent--so long that a box turtle placed a blundering claw on his shoe
before it understood that Reuben was no rock. Reuben moved his hand idly
to make it withdraw hissing into the sanctuary; he held his foot
motionless, until by degrees the little bothered head emerged, vague and
sad like Jesse Plum's, and the creature lurched away to safety. Reuben
forgot it, listening to the wind and the voices of a thousand hungers
within him, almost but not quite seeing the airy rising in mist of
castles in Spain, almost but not quite hearing the reed of the horned
god that makes a mockery of everything but blind desire and the need to
embrace the fleeing sun-dappled body in the country of Arcadia.
Public-domain text, read in full here on John Shaqi.
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