Historical fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Fiction
"Are you now? Why, Mr. Cory, if I thought so I might decide you were a
poor thing of no enterprise, and so away into the house closing the
door, and you might sit out here lorn and lonely enough until the
lamplighter cometh in the evening." She blinked both eyes. "Or I could
send Charity to you, sir? With another picture maybe, so to keep you
company?" She glanced down at her hands.
Out of breath in an April gust of wisdom, Ben lifted their unresisting
warmth from the latch, opened it, found himself inside the garden and
closing the gate without commotion. She had drawn away from him,
laughter fallen from her like a ravished shield. Not too far away,
grave, with veiled downward-looking eyes, the hands he had briefly
touched holding each other as if for safety between her breasts. Ben
could neither move nor speak unless she did so. "Would you like to come
look at the daffodils? They were timid, Mr. Cory. They would not bloom
in March, but now I think the sun's a little kinder."
The daffodils, yes, but not yet. Ben stooped to the purple glow and
wind-stirred motion at his feet, plucked a single violet perfect in
fragility and held it near her eyes, so that she must lift them
presently to look at him, frightened with discovery, as young in all
ways as himself and unsure. He recaptured the memory of a breath of
music from the dingy library of John Kenny, and found a glory of pride
that he could bring these words to himself out of some dusty hour that
must have passed without love, and speak them for her pleasure, and not
sound in the least like a fool.
"You violets that first appear,
By your pure purple mantles known,
Like the proud virgins of the year,
As if the spring were all your own;
What are you when the rose is blown?"
"Ah! What's that?"
"The verse is--oh, if I remember, by Sir Henry Wotton, to his mistress
the Queen of Bohemia. But I did make it mine," said Ben. "I made it
mine, to give you today."
"Why--why, Ben!" He saw the tears start to her eyes. A few appeared on
her cheeks. He could not touch them; understood how she must turn her
face away quickly, for the tears were no pretense at all, and she as
much startled by them as the boy who loved her--no part assigned to that
sort of tears in the undertakings of mimic reproach and mimic warfare.
"Is that why you came? To--to say something beautiful I couldn't forget,
even though...."
"Even though----?"
She smiled down at dainty shoes that were somehow not very muddy in
spite of the spring ground, trying again to be distant and a lady. "My
mother and father, 'deed they'd be much put out to know I was speaking
thus alone with you, Mr. Cory.... I meant to say: even though the words
cannot be for me."
"Cannot--why, for you and no other, ever."
Public-domain text, read in full here on John Shaqi.
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