Historical fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Fiction
"Elsewhere in the essay," said Reuben, and closed the book, "I think Sir
Thomas was somewhat entranced by his own music at the cost of reason."
The eyes watched, probably with kindness; Reuben searched for the motion
of another smile and decided, but doubtfully, that he had seen it. The
eyes grew less alert; soon the old man might fall asleep. "I once asked
Mr. Welland how good a doctor Sir Thomas Browne is thought to have been.
He didn't know. But he hath told me, sir, how in the time since Sir
Thomas wrote, less than a hundred years, the art is much advanced. I
can't but think it must go further in another hundred, as more of the
unknown yields to inquiry." The eyes were patient, interested, kind; and
drowsier. At length they closed, Mr. Kenny's face settling into the
tranquil imitation of death, his breathing shallow, not uncomfortable.
Reuben returned to the window. The mist had grown to a veil over all
things.
Light from this window penetrated the whiteness as far as a budded maple
on the lawn. Whorls of thicker vapor passed through the light, small
disturbances in the ocean of mist that would now be over all the
village, perhaps over all the coast as far as the Cape and out beyond.
As in the larger ocean, life groped about on the bottom in a purposeful
blindness.
On a May night a year ago, when Reuben and Gideon Hibbs and Mr. Kenny
had searched the water front, such a mist had hung low on the sullen
water of the harbor. That mist too had grown after a while, a white tide
rising over the warehouses and idle docks, blotting vision, smothering
and diffusing the nervous beams of lanterns and the sounds of frightened
voices wiry in the throat. Every plank bore a slime of dampness; the
cordage of sleeping ships was dripping with a whisper of slow tears.
Night transformed the water front to a labyrinth dreary, foul and
perilous. Seldom any freshly illuminated face looked back at you bravely
there at night, unless it might be that of a drunken man too sodden to
be afraid. The smooth fogbound water of the bay had possessed no voice
that night except at the piling of the wharfs where, fumbling and
muttering secretly, it encountered the transitory obstruction of the
works of man.
_Where are you? Where are you?..._
Public-domain text, read in full here on John Shaqi.
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