Historical fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Fiction
"What part, Joey Mills?" Shawn asked that not loudly, and he spread the
paper against the bulk of the mainmast, his left hand restraining it
against the breeze. Manuel stood by him holding an inkstand and goose
quill from the cabin. So much, Ben thought, for the fireside legends
that such documents were signed with the heart's blood. Or maybe they
were. "Some article you wished to question, Joey Mills?"
"Oh no, sir, nothing like that, sir. I only thought--that there part
about forswearing allegiance--well, sir----"
"You wished it more strongly expressed, belike?"
"Well, sir, you see, sir----"
"Ah, I have it!" Shawn beamed in a great glow of generous satisfaction.
"You're not the big man, Joey Mills, though sure it's the heart of a
gamecock under your old hide, so do you make yourself the greater by
coming forward now and being first to sign, ha? Come, Joey! Let me
behold your handwrite plain and large!"
Ben noticed no tremor in the grimy fist. That might have been because
Joey Mills clutched the quill like a rope, his whole arm toiling in the
grave task of shaping the letters, his tongue protruding from clamped
lips, his brows a cat's cradle of distress, while Shawn's right arm
spread kindly over his sparrowy shoulders. "There, sir! And now,
sir----"
"Whisht, man!--time to speak of all things, but now you've signed, and
happy am I to have your pledged word in writing, but now, man dear, you
must step aside for others."
Joey Mills gave it up and stumbled away, his glance meeting Ben's rather
wildly. He seemed almost to be imploring Ben, of all people, for
something or other, an impression soon blotted out by a weakly
apologetic chuckle. As Joey Mills then scuttled aft to relieve Tom Ball
at the helm, Ben thought of Jesse Plum....
Matthew Ledyard the carpenter, last to join the group, had stalked
forward--from the captain's cabin, Ben thought--and had halted,
demoralized with astonishment at sight of Ben. Ben had supposed Ledyard
was murdered with the others, yet there he stood in the sunlight, gaunt
face flushed to the eyes under the broad birthmark, lips moving without
words. Shawn had drawn him aside for a word or two that seemed to calm
him. He had listened to the articles with a sleepwalker's gaze at
nothing, and now was the second to sign, shaking his head afterward like
a man who hopes to understand something sometime but cannot do so in the
present.
After him came Manuel and Dummy and French Jack, these three guided by
Shawn's hand to make their marks, and he wrote their names for them with
amiable flourishes. Tom Ball then signed, a remarkable lightness and
delicacy in his fat fingers.
Public-domain text, read in full here on John Shaqi.
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