"Why not?" Creech demanded, slowly, with a rising voice.
"I'm a-goin' with you. What d'ye mean, Dad, by this move? You'll be
headin' back fer the Ford. An' we'd git safer if we go the other way."
Creech evidently controlled his temper by an effort. "I'm takin' Lucy
an' the King back to Bostil."
Joel echoed those words, slowly divining them. "Takin' them BOTH! The
girl.... An' givin' up the King!"
"Yes, both of them. I've changed my mind, Joel. Now--you--"
But Creech never finished what he meant to say. Joel Creech was
suddenly seized by a horrible madness. It was then, perhaps, that the
final thread which linked his mind to rationality stretched and
snapped. His face turned green. His strange eyes protruded. His jaw
worked. He frothed at the mouth. He leaped, apparently to get near his
father, but he missed his direction. Then, as if sight had come back,
he wheeled and made strange gestures, all the while cursing
incoherently. The father's shocked face began to show disgust. Then
part of Joel's ranting became intelligible.
"Shut up!" suddenly roared Creech.
"No, I won't!" shrieked Joel, wagging his head in spent passion. "An'
you ain't a-goin' to take thet girl home.... I'll take her with me....
An' you take the hosses home!"
"You're crazy!" hoarsely shouted Creech, his face going black. "They
allus said so. But I never believed thet."
"An' if I'm crazy, thet girl made me.... You know what I'm a-goin' to
do? ... I'll strip her naked--an' I'll--"
Lucy saw old Creech lunge and strike. She heard the sodden blow. Joel
went down. But he scrambled up with his eyes and mouth resembling those
of a mad hound Lucy once had seen. The fact that he reached twice for
his gun and could not find it proved the breaking connection of nerve
and sense. Creech jumped and grappled with Joel. There was a wrestling,
strained struggle. Creech's hair stood up and his face had a kind of
sick fury, and he continued to curse and command. They fought for the
possession of the gun. But Joel seemed to have superhuman strength. His
hold on the gun could not be broken. Moreover, he kept straining to
point the gun at his father. Lucy screamed. Creech yelled hoarsely. But
the boy was beyond reason or help, and he was beyond over powering!
Lucy saw him bend his arm in spite of the desperate hold upon it and
fire the gun. Creech's hoarse entreaties ceased as his hold on Joel
broke. He staggered. His arms went up with a tragic, terrible gesture.
He fell. Joel stood over him, shaking and livid, but he showed only the
vaguest realization of the deed. His actions were instinctive. He was
the animal that had clawed himself free. Further proof of his
aberration stood out in the action of sheathing his gun; he made the
motion to do so, but he only dropped it in the grass.
Public-domain text, read in full here on John Shaqi.
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