In sum, nothing would come of all our talk but the assurance that the
volume was equally irrecoverable with the sword, and indeed with my
poor character--at least, in the eyes of my immediate neighbours.
[Illustration: I SAT DOWN AGAIN BY THE FIRE TO READ, IN MY
GREAT-GRANDMOTHER’S CHAIR.]
CHAPTER XLVII.
THE LETTERS AND THEIR STORY.
As soon as Charley went to bed, I betook myself to my grandmother’s
room, in which, before discovering my loss, I had told Styles to kindle
a fire. I had said nothing to Charley about my ride, and the old
church, and the marriage-register. For the time, indeed, I had almost
lost what small interest I had taken in the matter--my new bereavement
was so absorbing and painful; but feeling certain, when he left me,
that I should not be able to sleep, but would be tormented all night by
innumerable mental mosquitoes if I made the attempt, and bethinking me
of my former resolution, I proceeded to carry it out.
The fire was burning brightly, and my reading lamp was on the table,
ready to be lighted. But I sat down first in my grandmother’s chair and
mused for I know not how long. At length my wandering thoughts
rehearsed again the excursion with Mr Coningham. I pulled the copy of
the marriage-entry from my pocket, and in reading it over again, my
curiosity was sufficiently roused to send me to the bureau. I lighted
my lamp at last, unlocked what had seemed to my childhood a treasury of
unknown marvels, took from it the packet of yellow withered letters,
and sat down again by the fire to read, in my great-grandmother’s
chair, the letters of Wilfrid Cumbermede Daryll--for so he signed
himself in all of them--my great-grandfather. There were amongst them a
few of her own in reply to his--badly written and badly spelt, but
perfectly intelligible. I will not transcribe any of them--I have them
to show if needful--but not at my command at the present moment;--for I
am writing neither where I commenced my story--on the outskirts of an
ancient city, nor at the Moat, but in a dreary old square in London;
and those letters lie locked again in the old bureau, and have lain
unvisited through thousands of desolate days and slow creeping nights,
in that room which I cannot help feeling sometimes as if the ghost of
that high-spirited, restless-hearted grandmother of mine must now and
then revisit, sitting in the same old chair, and wondering to find how
far it was all receded from her--wondering, also, to think what a work
she made, through her long and weary life, about things that look to
her now such trifles.
I do not then transcribe any of the letters, but give, in a connected
form, what seem to me the facts I gathered from them; not hesitating to
present, where they are required, self-evident conclusions as if they
were facts mentioned in them. I repeat that none of my names are real,
although they all point at the real names.
Public-domain text, read in full here on John Shaqi.
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