Having gathered strength, and a certain quietness which I could not
mistake for peace, I returned to London towards the close of the
Spring. I had in the interval heard nothing of Mary. The few letters
Marston had sent on had been almost exclusively from my publishers. But
the very hour I reached my lodging, came a note, which I opened
trembling, for it was in the handwriting of Miss Pease.
DEAR SIR,--I cannot, I think, be wrong in giving you a piece of
information which will be in the newspapers to-morrow morning. Your old
acquaintance, and my young relative, Mr Brotherton, was married this
morning, at St George’s, Hanover Square, to your late friend’s sister,
Miss Mary Osborne. They have just left for Dover on their way to
Switzerland. Your sincere well-wisher,
‘JANE PEASE.’
Even at this distance of time, I should have to exhort myself to write
with calmness, were it not that the utter despair of conveying my
feelings, if indeed my soul had not for the time passed beyond feeling
into some abyss unknown to human consciousness, renders it unnecessary.
This despair of communication has two sources--the one simply the
conviction of the impossibility of expressing _any_ feeling, much more
such feeling as mine then was--and is; the other the conviction that
only to the heart of love can the sufferings of love speak. The attempt
of a lover to move, by the presentation of his own suffering, the heart
of her who loves him not, is as unavailing as it is unmanly. The poet
who sings most wailfully of the torments of the lover’s hell, is but a
sounding brass and a tinkling cymbal in the ears of her who has at best
only a general compassion to meet the song withal--possibly only an
individual vanity which crowns her with his woes as with the trophies
of a conquest. True, he is understood and worshipped by all the other
wailful souls in the first infernal circle, as one of the great men of
their order--able to put into words full of sweet torment the dire
hopelessness of their misery; but for such the singer, singing only for
ears eternally deaf to his song, cares nothing; or if for a moment he
receives consolation from their sympathy, it is but a passing weakness
which the breath of an indignant self-condemnation--even contempt, the
next moment sweeps away. In God alone there must be sympathy and cure;
but I had not then--have I indeed yet found what that cure is? I am at
all events now able to write with calmness. If suffering destroyed
itself, as some say, mine ought to have disappeared long ago; but to
that I can neither pretend nor confess.
Public-domain text, read in full here on John Shaqi.
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