Of course I found just what I had expected--1748, not 1747--at the top
of the page, and was about to replace the register, when the thought
occurred to me that, if the dream had been potent enough to bring me
hither, it might yet mean something. I lifted the cover again. There
the entry stood undeniably plain. This time, however, I noted two other
little facts concerning it.
I will just remind my reader that the entry was crushed in between the
date of the year and the next entry--plainly enough to the eye; and
that there was no attestation to the entries of 1747. The first
additional fact--and clearly an important one--was that, in the summing
up of 1748, before the signature, which stood near the bottom of the
cover, a figure had been altered. Originally it stood: ‘In all six
couple,’ but the six had been altered to a seven--corresponding with
the actual number. This appeared proof positive that the first entry on
the cover was a forged insertion. And how clumsily it had been managed!
‘What could my grannie be about?’ I said to myself. It never occurred
to me then that it might have been intended to _look like_ a forgery.
Still I kept staring at it, as if by very force of staring I could find
out something. There was not the slightest sign of erasure or
alteration beyond the instance I have mentioned. Yet--and here was my
second note--when I compared the whole of the writing on the cover with
the writing on the preceding page, though it seemed the same hand, it
seemed to have got stiffer and shakier, as if the writer had grown old
between. Finding nothing very suggestive in this, however, I fell into
a dreamy mood, watching the red light, as it faded, up in the old,
dark, distorted roof of the desolate church--with my hand lying on the
book.
I have always had a bad habit of pulling and scratching at any knot or
roughness in the paper of the book I happen to be reading; and now,
almost unconsciously, with my forefinger I was pulling at an edge of
parchment which projected from the joint of the cover. When I came to
myself and proceeded to close the book, I found it would not shut
properly because of a piece which I had curled up. Seeking to restore
it to its former position, I fancied I saw a line or edge running all
down the joint, and looking closer, saw that these last entries, in
place of being upon a leaf of the book pasted to the cover in order to
strengthen the binding, as I had supposed, were indeed upon a leaf
which was pasted to the cover, but one which was not otherwise
connected with the volume.
Public-domain text, read in full here on John Shaqi.
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