Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
They directly proceeded to the business, and elected Wilhelm as their
first manager. The senate also was appointed, the women having seat and
vote in it: laws were propounded, were rejected, were agreed to. In such
playing, the time passed on unnoticed; and, as our friends had spent it
pleasantly, they also conceived that they had really been effecting
something useful, and, by their new constitution, had been opening a new
prospect for the stage of their native country.
CHAPTER III.
Seeing the company so favorably disposed, Wilhelm now hoped he might
further have it in his power to converse with them on the poetic merit
of the plays which might come before them. "It is not enough," said he
next day, when they were all again assembled, "for the actor merely to
glance over a dramatic work, to judge of it by his first impression, and
thus, without investigation, to declare his satisfaction or
dissatisfaction with it. Such things may be allowed in a spectator,
whose purpose it is rather to be entertained and moved than formally to
criticise. But the actor, on the other hand, should be prepared to give
a reason for his praise or censure; and how shall he do this, if he have
not taught himself to penetrate the sense, the views, and feelings of
his author? A common error is, to form a judgment of a drama from a
single part in it, and to look upon this part itself in an isolated
point of view, not in its connection with the whole. I have noticed this
within a few days, so clearly in my own conduct, that I will give you
the account as an example, if you please to hear me patiently.
"You all know Shakspeare's incomparable 'Hamlet:' our public reading of
it at the castle yielded every one of us the greatest satisfaction. On
that occasion we proposed to act the play; and I, not knowing what I
undertook, engaged to play the prince's part. This I conceived that I
was studying, while I began to get by heart the strongest passages, the
soliloquies, and those scenes in which force of soul, vehemence and
elevation of feeling, have the freest scope; where the agitated heart is
allowed to display itself with touching expressiveness.
"I further conceived that I was penetrating quite into the spirit of the
character, while I endeavored, as it were, to take upon myself the load
of deep melancholy under which my prototype was laboring, and in this
humor to pursue him through the strange labyrinths of his caprices and
his singularities. Thus learning, thus practising, I doubted not but I
should by and by become one person with my hero.
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