Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
If our friends had frequently enjoyed a good and merry hour together
while within four walls, they were naturally much gayer here, where the
freedom of the sky and the beauty of the place seemed, as it were, to
purify the feelings of every one. All felt nearer to each other: all
wished that they might pass their whole lives in so pleasant an abode.
They envied hunters, charcoal-men, and wood-cutters,--people whom their
calling constantly retains in such happy places,--but prized, above all,
the delicious economy of a band of gypsies. They envied these wonderful
companions, entitled to enjoy in blissful idleness all the adventurous
charms of nature: they rejoiced at being in some degree like them.
Meanwhile the women had begun to boil potatoes, and to unwrap and get
ready the victuals brought along with them. Some pots were standing by
the fire. The party had placed themselves in groups, under the trees and
bushes. Their singular apparel, their various weapons, gave them a
foreign aspect. The horses were eating their provender at a side. Could
one have concealed the coaches, the look of this little horde would have
been romantic, even to complete illusion.
Wilhelm enjoyed a pleasure he had never felt before. He could now
imagine his present company to be a wandering colony, and himself the
leader of it. In this character he talked with those around him, and
figured out the fantasy of the moment as poetically as he could. The
feelings of the party rose in cheerfulness: they ate and drank and made
merry, and repeatedly declared that they had never passed more pleasant
moments.
Their contentment had not long gone on increasing, till activity awoke
among the younger part of them. Wilhelm and Laertes seized their
rapiers, and began to practise on this occasion with theatrical
intentions. They undertook to represent the duel in which Hamlet and his
adversary find so tragical an end. Both were persuaded, that, in this
powerful scene, it was not enough merely to keep pushing awkwardly
hither and thither, as it is generally exhibited in theatres: they were
in hopes to show by example how, in presenting it, a worthy spectacle
might also be afforded to the critic in the art of fencing. The rest
made a circle round them. Both fought with skill and ardor. The interest
of the spectators rose higher every pass.
But all at once, in the nearest bush, a shot went off, and immediately
another; and the party flew asunder in terror. Next moment armed men
were to be seen pressing forward to the spot where the horses were
eating their fodder, not far from the coaches that were packed with
luggage.
A universal scream proceeded from the women: our heroes threw away their
rapiers, seized their pistols, and ran towards the robbers; demanding,
with violent threats, the meaning of such conduct.
Public-domain text, read in full here on John Shaqi.
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