"I am sorry the place should have lost such an ornament as your grandfather's cabinet was to it. I saw it but a short time prior to the sale; and I may say, I was myself the cause of its being then disposed of. A rich nobleman, a great amateur, but one who, in such important transactions, does not trust to his own solitary judgment, had sent me hither, and requested my advice. For six days I examined the collection: on the seventh, I advised my friend to pay down the required sum without delay. You were then a lively boy, often running about me: you explained to me the subjects of the pictures, and in general, I recollect, could give a very good account of the whole cabinet." "I remember such a person, but I should not have recognized him in you." "It is a good while ago, and we all change more or less. You had, if I mistake not, a favorite piece among them, to which you were ever calling my attention." "Oh, yes! it represented the history of that king's son dying of a secret love for his father's bride." "It was not, certainly, the best picture,--badly grouped, of no superiority in coloring, and executed altogether with great mannerism." "This I did not understand, and do not yet: it is the subject that charms me in a picture, not the art." "Your grandfather seemed to have thought otherwise. The greater part of his collection consisted of excellent pieces; in which, represent what they might, one constantly admired the talent of the master. This picture of yours had accordingly been hung in the outermost room,--a proof that he valued it slightly." "It was in that room where we young ones used to play, and where the piece you mention made on me a deep impression; which not even your criticism, greatly as I honor it, could obliterate, if we stood before the picture at this moment. What a melancholy object is a youth that must shut up within himself the sweet impulse, the fairest inheritance which nature has given us, and conceal in his own bosom the fire which should warm and animate himself and others, so that his vitals are wasted away by unutterable pains! I feel a pity for the ill-fated man that would consecrate himself to another, when the heart of that other has already found a worthy object of true and pure affection." "Such feelings are, however, very foreign to the principles by which a lover of art examines the works of great painters; and most probably you, too, had the cabinet continued in your family, would have by and by acquired a relish for the works themselves, and have learned to see in the performances of art something more than yourself and your individual inclinations."