Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
To awaken these again within him, he would recall to memory the scenes
of his by-gone happiness. He would paint them to his fancy in the
liveliest colors, transport himself again into the days when they were
real; and when standing on the highest elevation he could reach, when
the sunshine of past times again seemed to animate his limbs and heave
his bosom, he would look back into the fearful chasm, would feast his
eye on its dismembering depth, then plunge down into its horrors, and
thus force from nature the bitterest pains. With such repeated cruelty
did he tear himself in pieces; for youth, which is so rich in
undeveloped force, knows not what it squanders when, to the anguish
which a loss occasions, it adds so many sorrows of its own production,
as if it meant then first to give the right value to what is gone
forever. He likewise felt so convinced that his present loss was the
sole, the first, the last, he ever could experience in life, that he
turned away from every consolation which aimed at showing that his
sorrows might be less than endless.
CHAPTER II.
Accustomed in this way to torment himself, he now also attacked what
still remained to him; what next to love, and along with it, had given
him the highest joys and hopes,--his talent as a poet and actor, with
spiteful criticisms on every side. In his labors he could see nothing
but a shallow imitation of prescribed forms, without intrinsic worth: he
looked on them as stiff school-exercises, destitute of any spark of
nature, truth, or inspiration. His poems now appeared nothing more than
a monotonous arrangement of syllables, in which the most trite emotions
and thoughts were dragged along and kept together by a miserable rhyme.
And thus did he also deprive himself of every expectation, every
pleasure, which on this quarter at least might have aided the recovery
of his peace.
With his theatric talent it fared no better. He blamed himself for not
having sooner detected the vanity on which alone this pretension had
been founded. His figure, his gait, his movements, his mode of
declamation, were severally taxed: he decisively renounced every species
of advantage or merit that might have raised him above the common run of
men, and so doing he increased his mute despair to the highest pitch.
For, if it is hard to give up a woman's love, no less painful is the
task to part from the fellowship of the Muses, to declare ourselves
forever undeserving to be of their community, and to forego the fairest
and most immediate kind of approbation, what is openly bestowed on our
person, our voice, and our demeanor.
Public-domain text, read in full here on John Shaqi.
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