Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
So, with a few lively songs, which she could sing very beautifully,
Philina cut short their conversation, and urged them to a quick return
homewards, that they might arrive in time for seeing the performance of
the rope-dancers in the evening. On the road back she continued her
lavish generosity, in a style of gayety reaching to extravagance; for at
last, every coin belonging to herself or her companions being spent,
she threw her straw hat from the window to a girl, and her neckerchief
to an old woman, who asked her for alms.
Philina invited both of her attendants to her own apartments, because,
she said, the spectacle could be seen more conveniently from her windows
than from theirs.
On arriving, they found the stage set up, and the background decked with
suspended carpets. The swing-boards were already fastened, the
slack-rope fixed to posts, the tight-rope bound over trestles. The
square was moderately filled with people, and the windows with
spectators of some quality.
Pickleherring, with a few insipidities, at which the lookers-on are
generally kind enough to laugh, first prepared the meeting to attention
and good-humor. Some children, whose bodies were made to exhibit the
strangest contortions, awakened astonishment or horror; and Wilhelm
could not, without the deepest sympathy, see the child he had at the
first glance felt an interest in, go through her fantastic positions
with considerable difficulty. But the merry tumblers soon changed the
feeling into that of lively satisfaction, when they first singly, then
in rows, and at last all together, vaulted up into the air, making
somersets backwards and forwards. A loud clapping of hands and a strong
huzza echoed from the whole assembly.
The general attention was next directed to quite a different object. The
children in succession had to mount the rope,--the learners first, that
by practising they might prolong the spectacle, and show the
difficulties of the art more clearly. Some men and full-grown women
likewise exhibited their skill to moderate advantage; but still there
was no Monsieur Narciss, no Demoiselle Landrinette.
At last this worthy pair came forth: they issued from a kind of tent
with red spread curtains, and, by their agreeable forms and glittering
decorations, fulfilled the hitherto increasing hopes of the spectators.
He, a hearty knave, of middle stature, with black eyes and a strong head
of hair; she, formed with not inferior symmetry,--exhibited themselves
successively upon the rope, with delicate movements, leaping, and
singular postures. Her airy lightness, his audacity; the exactitude with
which they both performed their feats of art,--raised the universal
satisfaction higher at every step and spring. The stateliness with which
they bore themselves, the seeming attentions of the rest to them, gave
them the appearance of king and queen of the whole troop; and all held
them worthy of the rank.
Public-domain text, read in full here on John Shaqi.
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