William Blake: A Study of His Life and Art WorkLangridge, Irene
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William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
It was impossible to look at this "Nativity" without being moved. The
event appeared to Blake entirely supernatural in effect as in cause. He
seems to have attached no historical value to it, nor indeed to any of his
Biblical subjects. They were to him merely symbols of eternal ideas,
projected by the Holy Ghost into the world for its enlightenment, and of
these ideas Christ was the chiefest; but every idea he thought capable of
manifesting itself equally in diverse symbols. His mind had some of the
contemplative and impersonal characteristics of the oriental, and by its
original processes he was enabled to appreciate the true inwardness of
Christianity as the western mind cannot do. Christianity was born in the
East like the Star of its Epiphany, and has come to maturity in the West,
but its most mystical secrets will be hid from us until it has returned
again and bathed in the immemorial symbolism and true occultism of the
East.
Being so unfortunate as not to obtain leave from the "Nativity's" present
owner to reproduce it in these pages, I have been obliged to take our
illustration from the etching which William Bell Scott made after the
original, and for which permission was courteously granted me by Messrs.
Chatto and Windus. It is but the shadow of a shadow, for Bell Scott's
etching is only that, but it will serve to give some idea of the solemn
beauty of the tempera painting.
Now let me recall another purely imaginative composition.
"The River of Life," a water-colour picture, reminded me in its
transparence and delicate brilliance of Blake's earlier printed books.
It is a rhapsody of Heaven. The River of Life which flows through the City
of God, and in which all new-born souls are dipped, is a mighty stream
flowing between green banks, on which are situated the gleaming houses of
the city. Groups of happy souls wander beside the clear pale waters, and
with his back towards us the Saviour with two children (new-born souls) in
either hand swims towards the river's source, which is the Throne of God,
typified by the sun. In its rays may be descried adoring angels, reminding
us of Blake's ardent words, which I have already quoted, "What! it will be
questioned, when the sun rises, do you not see a round disc of fire,
somewhat like a guinea?" "Oh, no, no! I see an innumerable company of the
heavenly host crying, 'Holy, holy, holy is the Lord God Almighty!'"
Public-domain text, read in full here on John Shaqi.
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