William Blake: A Study of His Life and Art WorkLangridge, Irene
General
William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
_Grave, The_, Blake's illustrations to Blair's: sold to Cromek, 35;
published, 39;
discussed, 140;
described, 143;
Blake's introductory verses, 141.
Hayley, Blake's introduction to, 23;
life at Felpham, 24-31;
illustrations to his _Ballads_, 31;
to his life of Cowper, 31;
letters to, 32.
_Hecate_, 168.
Humphrey, Ozias, Blake's relations with, 38.
Hunt, Leigh, inept criticisms by, 42.
_Ideas of Good and Evil_, 30.
Irish ancestry suggested for Blake, 3.
_Jerusalem_, 31, 34;
discussed, 123;
described, 127.
_Job, The Book of_, drawings for, 54;
discussed, 148;
described, 151;
sold, 148.
_Joseph of Arimathea_, 6.
_Judgment of Paris, The_, 172.
Lamb, Charles, appreciative criticisms by, 99, 179.
_Lamech and his Two Wives_, 168, 169.
_Laocoon_, 50.
_Last Judgment, The_, 38.
_Lazar House, The_, 188.
Le Brun, Blake's early aversion to her work, 6.
_Lenore_, illustrations to Buerger's, 137.
Linnell, John, Blake's friendship with, 47, 54, 150;
and the Book of Job, 149.
_Little Tom the Sailor_, 179.
_Los, The Book of_, 23;
described, 122.
_Los, The Song of_, 23;
described, 121.
Madness, his alleged, 73.
Malkin's _Memorials_ of his child, illustrated by Blake, 38.
_Marriage of Heaven and Hell, The_, 17;
discussed, 90;
quoted, 101.
Mathew, the Rev. Henry, an early friend, 11-14.
Michael Angelo, his influence on Blake, 4, 6, 78, 141, 171, 187.
_Milton_, 31;
discussed, 130;
described, 133.
MS. Notebook, Blake's, references to, 6, 11, 26, 30, 38, 45, 46, 81, 82.
Mystical views, Blake's, are misunderstood, 72-79;
explained by Smetham, 75.
Mythological characters, Blake's, 71, 105, 112, 117.
National Gallery, works by Blake in the, 189.
_Nativity, The_, 161, 162.
_Nebuchadnezzar_, 22.
_Nelson, The Spiritual Form of, etc._, 185.
_Night Thoughts_, designs for Young's, 23;
described, 137.
_Oberon, Titania, and Puck_, 169.
Paine, Tom, Blake's acquaintance with, 17.
Pars' drawing-classes, Blake attends, 4.
_Pitt guiding Behemoth, The Spiritual Form of_, 192.
Poetic Genius, his theory of the, 67, 68.
_Poetical Sketches_, 12.
Prices now brought by Blake's work, 100, 107, 110, 113, 121, 130, 148.
Prices received by Blake, 21, 35, 38, 100, 149.
Processes employed by Blake, 38, 82, 91, 150, 166, 168, 179, 186, 187.
_Procession from Calvary_, 191.
Raphael, early love for, 6.
Religious views, 57-71, 102.
Religious views, Swedenborg, 57, 58;
pantheism, 62;
Blake's beliefs, 62;
the necessity of contraries, 65;
"art in religion," 67.
Reynolds, Sir Joshua, his advice to Blake, 19.
Reynolds, Sir Joshua, Blake's MS. notes on Reynolds' Discourses, 6, 19,
79.
_River of Life, The_, 163, 169.
Robinson, Henry Crabb, his relations with Blake, 2, 40, 45, 47, 51, 54,
63, 73.
Public-domain text, read in full here on John Shaqi.
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