William Blake: A Study of His Life and Art WorkLangridge, Irene
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William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
One wishes (profanely no doubt) that our artist had seen fit to make the
tiger that illustrates the British Museum copy, yellow and black, rather
than blue and bistre and red, which colours seem to have no natural
relation to the animal. Is it possible that this page was coloured by Mrs.
Blake's hand in these weird parti-hues?
The "Songs of Experience" are pitted like a dark contrast against the
sun-kissed radiance of the "Songs of Innocence."
One state of mind opposes itself aggressively against the contrary state
of mind. One set of impressions is recorded in opposition to the
impressions of sometimes the same things, sometimes their correlatives
taken from a widely divergent stand-point. Thus the Lamb in the "Songs of
Innocence" finds its contrast in the Tiger of the "Songs of Experience."
Infant Joy is set against Infant Sorrow, the ordered beauty and sweetness
of one Holy Thursday is the reverse of the despairing cry of pain uttered
in the other Holy Thursday. The Divine Image emits its celestial radiance
against the cynical brilliance of the Human Abstract, and that other
distorted Divine Image.
It is interesting to know that Blake issued the "Songs of Innocence and
Experience" at the modest price of from thirty shillings to two guineas at
first. Later in life he received four guineas for each copy, and during
his last years Sir Thomas Lawrence insisted on paying twelve guineas and
Sir Francis Chantrey twenty for copies.
At Messrs. Sotheby's sale of the Crewe Collection of Blake's works on
March 31st of last year (1903) the price reached for a very perfect copy
containing the four title-pages, was L300. The sum would have been wealth
to Blake, but it is the world's way, consecrated now by immemorial
tradition, to lay its laurels of reward and appreciation only at the
_dead_ feet of its great men.
[Illustration: PRINTED AND COLOURED PLATE FROM "SONGS OF INNOCENCE," 1789]
CHAPTER VIII
THE PROPHETIC BOOKS
"The Prophets Isaiah and Ezekiel dined with me, and I asked them how they
dared so roundly to assert, that God spoke to them, and whether they did
not think at the time, that they would be misunderstood, and so be the
cause of imposition?
Public-domain text, read in full here on John Shaqi.
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