William Blake: A Study of His Life and Art WorkLangridge, Irene
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William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
Like a man intent and fixed before a vast and ever-moving pageant, he
throws out a quick word of explanation, an occasional exclamation of
enthusiasm, to the blindfolded world at his side. So present is the
reality to his senses, that he feels only impatient with the dull creature
which requires so much explanation and description. "I have told you, and
you did not listen," he seems to say. But listen as we may, to the point
of an anguished intensity, the marvellous Vision, Representation, mystic
Something, which is being enacted before Blake, can, with the help of his
jerky and disjointed speech, be but vaguely and painfully guessed at by
us. Whatever virtue may reside in these dream-like books for the mystic
and the occultist, their poetry is not a winged and triumphant spirit any
more, but a poor, wan, and halting creature, creeping painfully upon the
earth on all fours. Swinburne writes on the subject with poetic eloquence:
"To pluck out the heart of Blake's mystery is a task which every man must
be left to attempt for himself, for this prophet is certainly not 'easier
to be played on than a pipe.'... The land lying before us bright with
fiery blossom and fruit, musical with blowing branches and falling waters,
is not to be seen or travelled in, save by help of such light as lies upon
dissolving dreams, and dividing clouds. By moonrise, to the sound of wind
at sunset, one may tread upon the limit of this land, and gather as with
muffled apprehension, some soft remote sense of the singing of its birds,
and flowering of its fields."
Let these gentle and appropriate words smooth the literary path of the
"Prophetic Books" for all who intend to read them. It will be a difficult
one for those who would study them seriously, even with the light shed by
Mr. Swinburne's and Messrs. Ellis and Yeats' pioneer lanterns, for the
road is rough and rock-bound, and shrouded, for the most part, in mist.
Public-domain text, read in full here on John Shaqi.
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