Varley understood nothing of all this, and so failed to convince Blake.
But he gave him what he needed far more, hearty good will and
unpatronizing faith and reverence. Blake could pursue his visions and
report on them, certain that his companion would believe in his marvels
with that perfect credulity which so many are ready to give who have
rejected the marvels of Christianity. At his bidding he evoked visions of
past worthies, and sketched them while they waited. From 1819 to, 1820
Blake executed no less than fifty heads, including his famous _Ghost of a
Flea_.
Those of us who were thrilled in our boyhood by the tales of Lord Lytton
like to know that Varley was consulted by him before writing his
fascinating _Zanoni_ and _Strange Story_.
A still greater comfort and help to Blake was John Linnell.
John Linnell began by copying George Morland, passed under the influence
of Sir Benjamin West, and then became a pupil of Varley, who sent him
straight to nature. Varley's brother Cornelius attended a baptist chapel,
and he induced Linnell to go with him and listen to the sermons of its
pastor, the Reverend John Martin. He was convicted of sin, converted, duly
immersed, and regularly enrolled. Henceforth religion of a puritanic kind
ruled his life, and made him easy to dissenters of the different sects,
but stiff and uncompromising towards the Church of England and the
clergy. At one time he had thoughts of joining the quakers, whose position
is far different from that of the baptists; but he was deterred by Bernard
Barton, who, though fond of art himself, warned him that the Friends as a
whole looked with extreme suspicion on anyone addicted to such a
questionable pursuit as that of making pictures.
Blake was introduced to Linnell by George Cumberland in 1818 at Linnell's
house in Rathbone Place. They soon became intimate. Their religious
conception of art united them, and Linnell much relished Blake's tirades
against kings and priests. It was only when Blake spoke with equal licence
of the sex passion that Linnell felt an adverse tug at their friendship.
Linnell took over for his country house Collins' Farm, North End,
Hampstead, and there Blake became a regular visitor on Sunday afternoons
until sickness and death put an end to his visits.
North End, now in the County of London, is still a village on the Heath.
On Saturdays, Sundays, and Bank Holidays it is overlaid with trippers,
orange-peel, and paper bags. But no sooner do the holiday-makers return to
work than North End and its marvellous portion of heath resumes its
mystery, and the dreamer can dream undisturbed till the next people's
holiday.
Public-domain text, read in full here on John Shaqi.
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