Here was strength for Blake in knowing his own mind about his art and
methods, and following it. It helped him out of his paralysing diffidence,
which Hayley fostered, and made more clear the real issue between him and
his patron. He strove to see the situation in the largest light possible.
The old question of God's providence exercised him. Did God bring him to
Felpham? Did God keep him there? If so, it must be because it was not fit
for him at present to be employed in greater things. That thought kept him
patient. When it is proper his talents will be properly exercised in
public. But God guides by cleansing man's understanding and pushing him
forwards to a decision. He understood his art, yet Hayley objected to his
doing anything but the mere drudgery of business. He trusted his art, and
he saw how he must work. Let him trust himself, and then? He saw all
clearly now, as he had seen it in the first month, although he had stifled
his apprehensions. God had given him a great talent. It would be affected
humility to deny it. If he stayed with Hayley he would paint miniatures,
make money, and make his beloved Kate comfortable for life; but he would
sell his divine birthright. If he obeyed God by following the gifts He had
bestowed on him, then farewell to Hayley and lovely Felpham: he must
return without delay to London, and once more he and Kate together must
face the grinding life of poverty. Anyone who knows Blake must know what
decision he would make. He made it silently, irrevocably. By the
beginning of October 1803 he and Kate were back again in London, lodging
in South Molton Street, with a sense of escape and liberty which more than
compensated for the uncertain prospect of the future.
Public-domain text, read in full here on John Shaqi.
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