This was the mental process that we saw at work in his _French Revolution_
and _America_. Now it was moving among the persons and things connected
with his own life; but it is not less important, for the same mighty
agencies govern individuals and nations alike, and link them up together,
so that they are interchangeable manifestations of eternal laws and
states.
The practical outcome was _Milton_, _Jerusalem_, and a revision of _The
Four Zoas_, begun some time about 1795. These claim our close attention,
for they contain, for those who have patience to probe their forbidding
exterior, the treasure of one who had run the road of excess, not of
profligacy but rebellion, and now reached the palace of wisdom.
On April 25th, 1803, Blake wrote to Thomas Butts: "I have written this
poem (_Milton_) from immediate dictation." Later in the same year (July
6th), he writes: "I can praise it, since I dare not pretend to be any
other than the secretary; the authors are in Eternity. I consider it the
grandest Poem that this world contains. Allegory addressed to the
intellectual powers, while it is altogether hidden from the corporeal
understanding, is my definition of the most sublime Poetry." In the
Preface to _Milton_ Blake asserts, in effect, that Shakespeare and Milton
were shackled by the Daughters of Memory, who must become the Daughters of
Inspiration before work of the highest creative order can be produced.
Here he regards Memory as a hindrance, and comparing the Preface with the
above quotations, we learn that he strove to put Memory aside while the
authors in Eternity were dictating to him.
But in the _Jerusalem_ there are, scattered throughout, references to what
he calls the Halls of Los, familiar to readers of mystical literature as
the Akashic or Etheric records, and called by Yeats the great Memory.
"All things acted on Earth are seen in the bright Sculptures of Los's
Halls, and every Age renews its powers from these Works."[4]
Here Memory serves to renew an age, and then becomes the recipient of the
age's inspired works.
Public-domain text, read in full here on John Shaqi.
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