William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
He had the trait which marks all such natures, a whole-heartedness in
all that he undertook, which made him a difficult man to overcome, to
put down, or to defeat. That was obvious in all his hard apprenticeship;
in his determined struggle for success; in his loyalty to his own
ideals. It came out in some other incidents of his life. His vigorous
fight against the spirit of vandalism which threatened the natural
beauties of Prospect Park, at the hands of a dense and narrow
officialism, was a case in point. In the spring of 1887, Mr. Gibson, in
the course of a stroll through the Park, was filled with the
consternation and wrath which are inevitable in a real nature-lover when
he finds that ignorant and unsympathetic hands--and heads--have been
busy destroying the natural beauties which years of artificial culture
cannot make good. As he wrote in a communication to one of the most
reputable journals of the day: “One of the wildest and most beautiful
sections of the Park had been invaded by the butcherly Goths and Vandals
known as our Park Commissioners. Chaos reigned on every side--beautiful
fresh trees by the score, lying in piles of logs among seas of chips,
bonfires of brushwood on every hand, and the beauty of the place
otherwise hacked and slashed on all sides.” Gibson at once sounded an
emphatic and indignant warning through the columns of the Brooklyn
“Eagle.” The Park Commissioners replied through an agent in contemptuous
fashion, and declared that all they had been doing was to cut down “a
lot of ailanthus trees.” They did not know the caliber of their critic.
In a second letter Gibson reiterated his charges and showed as the
result of actual count and careful identification, that over two hundred
trees had been felled in one small acre, and that these included large
and beautiful specimens of white birch, black birch, willow, elm,
poplar, sweet-gum, flowering dogwood, hornbeam, European alder,
nettle-tree, young maple, and numerous other varieties of the minor
sylvae, comprising one of the most beautiful pieces of underwood to be
found in any park. The Park Commissioners met this new charge with a
square denial. Gibson produced new and indisputable evidence to confute
them; induced a committee of gentlemen of the highest standing and
intelligence to investigate the premises and the evidences of his
accuracy,--including Dr. Charles H. Hall, Dr. Charles C. Hall, Dr.
Truman J. Backus, and Dr. Almon Gunnison,--who over their own names
verified all his statements. Then the Commissioners were forced to admit
his charges (and thus, indirectly, their own untruthfulness), but
claimed that what they had done was in the nature of the “improvement”
of the Park. Then Gibson challenged the discomfited Commissioners to
refer their claim of “improvement” to Samuel Parsons, the Superintendent
of Central Park, requesting his expert decision whether this cutting was
or was not a justifiable artistic or skilful piece of landscape
gardening.
Public-domain text, read in full here on John Shaqi.
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