William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
One could add to these indefinitely. A minister in the northwest, a
lover of flowers and a true woodsman, has a fine program for a canoeing
trip on Minnesota rivers and lakes; a farmer’s wife writes to ask
direction to some simple manual which will help her copy flowers in
color, and encloses some examples of her simple work; an admiring poet
sends some verses which will not scan, and will be glad to have her
adulations published,--and remuneration secured; another admirer insists
that he is not an autograph fiend,--but he _would_ like a letter in
reply to his praises; an impecunious poet suggests an immediate loan of
ten dollars; a mother in a western state sends some admirable sketches
done by her daughter and wishes his judgment upon their merits. People
felt his kindly nature in his writings and in his pictures. It was a
virtue that went out of him, and drew like a loadstone.
Nowhere, perhaps, outside the charmed and privileged circle of the
“Gunnery” boys,--they were always “boys” and “girls” to one
another!--was he more welcome or more warmly cherished than at the
Authors Club. He counted it a great honor to be chosen into that
favored circle, and as he was one of its earliest members, so he was one
of its most constant and loyal supporters. Whenever he could he joined
in its social conclaves and its decorous revels; and his presence was
always a guarantee of good fellowship, unconstrained, talkative, and
sparkling. In the earliest home of the Club in East Fifteenth St.; in
its rooms in West Twenty-fourth St.; later in the West Twenty-third St.
quarters; and finally in the soaring apartments to which it attained,
Gibson’s was one of the familiar figures, as it was one of those most
commonly sought out of strangers. But it was never a figure with “a
certain solitariness,” as seen by his imaginative critic. Wherever
Gibson sat or stood, there was sure to be a group. Men gathered about
him as birds flock to the banks of a rippling stream. Nor was he any
slower in coming to the side of others. He sought companionship as
frankly as he gave it. He was always running over with bright,
attractive talk; but he had a willing ear. He was conscious of his power
to attract; but it never bred in him the slightest condescension toward
others. He was passionately fond of wit, and humor, and all the honest
fun of life; but he never showed a particle of coarseness, and he never
confounded fun with foulness. He was as much at home with the largest
minds and characters as he was with the simple farmers and rustics, he
delighted to describe; for he met all men on the ground of their common
brotherhood,
[Illustration: _The Edge of the Woods_
_From a Painting_]
Public-domain text, read in full here on John Shaqi.
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