William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
Of all the great nature students of our time, Richard Jeffries ranks as
the one most closely in touch with the sub-human world, the earth and
all the life it bears in and on its bosom. His whole soul seems
exquisitely in tune with the cosmos. He breathes with the respirations
of the earth; he sighs with the breath of the winds; his senses and his
thoughts sway with the bending of the grain and the waving of the
tree-tops. “To know him,” says his eulogist, Mr. Ellwanger, “is to
approach nearer the heart of the flower, the mystic concave of the sky,
and the elusive verge of the horizon.” But in this respect he has a peer
in William Hamilton Gibson. No man ever lived on friendlier terms with
nature. As close, as accurate, as patient in his observation as any of
the classic characters in nature love, he has a distinction all his own,
a peculiar personal attitude toward all extra-human life. He feels and
he expresses a sort of fellowship with life in other than human form. He
accepts the lesser things as little brothers and sisters of the human.
He gives the right hand of fellowship to whatever has life. He
humanizes, if one may so term it, the life which lies below man’s in the
vital scale. What writer since the days of the primeval fairy tales ever
brought the worlds of human life and other life so near each other? He
seems a modern Siegfried, into whose ears the birds talk, and the grass
whispers as it grows. When he comes back from an exploration into the
insect realm close to his own doorstep, he reports what he has seen and
heard precisely as if he were recounting the talk and doings of his own
kind. He translates this life of beetle and spider and bee and ant and
bird into the terms of human life and activity. He makes all life seem
related to our lives, all being to appear of one substance, all to be
worthy of interest, sympathy, love, and reverence. More than any other
mind of his generation he leads us to feel that kinship of all life
which Drummond has asserted in “The Ascent of Life,” and which Professor
Shaler has condensed into a phrase in calling it “The Bond of the
Generations.” That was a shrewd and sagacious disclosure of character,
as well as a bit of fun, which led his mother to write, in the letter
already quoted, “How are your friends and dear companions, the worms?”
He was on terms of friendship with all living things. But to any mind at
all sensitive to the real and deeper meaning of nature, to its spiritual
origin, its profound unity, this underlying affinity of all its forms of
life, there was a bit of true philosophy in the mother’s comment. It was
certainly truer and wiser than the criticism once made upon his
intellectual temperament in the columns of the “Tribune.” “So
thoroughly,” said this reviewer, “was he absorbed in the life of the
humbler animals and plants that one suspects he was quite out of his
element elsewhere. He was incapable of assigning them a relative place.
To him they were always supreme.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account