William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
was not a “humanizing” of animal and plant life, in the sense of trying
to force our life upon theirs, attributing human thoughts and aims and
feelings to the lower creation. It was rather an effort to link their
life to ours, by insight, sympathy, and study. He simply made men feel
the kinship of all living things. In that he was fully in the spirit of
the most advanced science. He believed thoroughly in the truth contained
in a sentence which he quoted from “the rapt philosopher of Walden”:
“Man cannot afford to be a naturalist and look at nature directly. He
must look through and beyond her. To look at her is as fatal as to look
at the head of Medusa. It turns the man of science to stone.”
How thoroughly he grasped the spirit of the “new botany” which traces
the links between the animal and insect worlds one passage will suffice
to show.
“What startling disclosures are revealed to the inward eye within the
hearts of all these strange orchidaceous flowers! Blossoms whose
functions, through long eras of adaptation, have gradually shaped
themselves to the forms of certain chosen insect sponsors; blossoms
whose chalices are literally fashioned to bees or butterflies; blossoms
whose slender, prolonged nectaries invite and reward the murmuring
sphinx-moth alone, the floral throat closely embracing his head while it
attaches its pollen masses to the bulging eyes, or perchance to the
capillary tongue! And thus in endless modifications, evidences all of
the same deep vital purpose.
“Let us then content ourselves no longer with being mere
‘botanists’--historians of structural facts. The flowers are not mere
comely or curious vegetable creations, with colors, odors, petals,
stamens, and innumerable technical attributes. The wonted insight alike
of scientist, philosopher, theologian, and dreamer is now repudiated in
the new revelation. Beauty is not ‘its own excuse for being,’ nor was
fragrance ever ‘wasted on the desert air.’ The seer has at last heard
and interpreted the voice in the wilderness. The flower is no longer a
simple passive victim in the busy bee’s sweet pillage, but rather a
conscious being, with hopes, aspirations, and companionships. The insect
is its counterpart. Its fragrance is but a perfumed whisper of welcome,
its color is as the wooing blush and rosy lip, its portals are decked
for his coming, and its sweet hospitalities humored to his tarrying; and
as it finally speeds its parting affinity rests content that its life’s
consummation has been fulfilled.”
How closely he observed and how much he read “between the lines” appears
in his account of his introduction to the study of entomology, the first
awakening of his real interest in what became the object of a consuming
passion.
“It was a day in early June, and nature was bursting with exuberance.
The very earth was teeming with awakening germs--here an acorn, with its
biformed hungry germ--parody on the dual mission of mortal life--one
seeking earth, the other heaven; here
Public-domain text, read in full here on John Shaqi.
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