William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
“Our misty primrose dell is fast lighting its pale lamps in the
twilight. One by one they flash out in the gloom as if obedient to the
hovering touch of some Ariel unseen--or is it the bright response to the
firefly’s flitting torch? The sun has long sunk beneath the hill. And
now, when the impenetrable dusk has deepened round about, involving all,
where but a moment since all was visible, this shadowy dell has
forgotten the sunset, and knows a twilight all its own, independent of
the fading glow of the sky. It was a sleepy nook by day, where it is now
all life and vigilance; it was dark and still at noon, where it is now
bright and murmurous. The ‘delicious secret’ is now whispered abroad,
and where in all the mystic alchemy of odors or attars shall you find
such a witching fragrance as this which is here borne on the diaphanous
tide of the jealous gliding mist, and fills the air with its sweet
enchantment--the stilly night’s own spirit guised in perfume? Yonder
bright cluster, deep within the recess of the alders, how it glows!
fanned by numerous feathery wings, it glimmers in the dark like a
phosphorescent aureole--verily as though some merry will-o’-the-wisp,
tired of his dancing, had perched him there, while other luminous spires
rise above the mist, or here and there hover in lambent banks beyond,
or, like those throbbing fires beneath the ocean surge, illume the fog
with half-smothered halo. This lustrous tuft at our elbow! Let us turn
our lantern upon it. Its nightly whorl of lamps is already lit, save one
or two that have escaped our fairy in his rounds, but not for long, for
the green veil of this sunset bud is now rent from base to tip. The
confined folded petals are pressing hard for their release. In a moment
more, with an audible impulse, the green apex bursts asunder, and the
four freed sepals slowly reflex against the hollow tube of the flower,
while the lustrous corolla shakes out its folds, saluting the air with
its virgin breath.
“The slender stamens now explore the gloom, and hang their festoons of
webby pollen across their tips. None too soon, for even now a silvery
moth circles about the blossom, and settles among the outstretched
filaments, sipping the nectar in tremulous content. But he carries a
precious token as he hies away, a golden necklace, perhaps, and with it
a message to yonder blossom among the alders, and thus until the dawn,
his rounds directed with a deep design of which he is an innocent
instrument, but which insures a perpetual paradise of primroses for
future sippers like himself.”
The reader feels the pure delight he takes in the beauty of bird-and
flower-forms; and there is no stinting of phrases in his determination
to convey some sense of them to those who, “having eyes, see not.” He is
as accurate as Audubon and as poetic as Lowell in his description of the
rose-breasted grosbeak and his rich song.
Public-domain text, read in full here on John Shaqi.
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