Booksellers and bookselling -- Fiction; Fathers and sons -- Fiction; London (England) -- Fiction; Poets -- Fiction
“Y-yes,” he said feebly, “I will take them to the office
to-morrow--and--and, old boy, I will tell them to set it up at once.
I--I will tell them that the author is impatient--that he has not much
time--that--that his time is nearly up--and--and that he wants to know
that others know what he has done for them before he goes.”
With a sinking heart the unhappy Dodson made the great pile of
manuscript into a parcel with the aid of brown paper and string,
in precisely the fashion that in former days he had instructed his
_protégé_. As suddenly he recalled his demeanour towards one who had
now acquired a transcendent sanctity, his own eyes grew blind with
their tears. Yet over and above his intolerable emotion, that which
dominated his thoughts, was the knowledge that the mission to which he
was pledged was foredoomed to fail.
“I don’t know much about literature--don’t pretend to,” said the
unhappy young man, as he slipped the string round the parcel in a kind
of dull anguish, “but it wouldn’t surprise me at all, old boy, if this
doesn’t turn out to be the longest poem in the English language.”
“I believe it is a little less than three times the length of the
_Paradise Lost_,” said the poet, with absolute composure, yet touched
by that curious irony that his friend had never understood. “And I am
reminded that I would have them print it with great clearness in three
honest tomes. Each volume should coincide with a phase of the poem;
you will observe that there are three phases to our little treatise,
which correspond with those of human life--three phases through which
the soul of man must pass in its terrestrial journeyings. On the first
page, only the name of the poem must be set forth; the name of the poet
must not appear. And further, good friend, I urge you to observe the
profoundest secrecy as to the authorship of this treatise upon human
life. The identity of the author must never be disclosed.”
“Why must the identity of the author never be disclosed, old boy?”
asked Jimmy Dodson, whose bewilderment and consternation were ever
increasing.
“I am fearful,” said the dying poet, with that curious smile that was
at once proud, gaunt, and melancholy. “I am fearful lest my countrymen
should incur the mockery of future ages by seeking to re-embody the
life of the first among their authors.”
L
Days passed ere Jimmy Dodson returned again to the little room. They
were fraught with dire anxiety for the blind poet and the aged man, his
father. In his heart the old man was filled with despair, and he knew
not how to obtain the strength wholly to conceal his fears. What if he
to whom they had entrusted their priceless treasure should never return
to them again! He had neither the devotion nor the blind faith of the
dying man.
“They are printing it, they are printing it!” the poet would exclaim
many times in the day as he kept the chair beside the hearth.
Public-domain text, read in full here on John Shaqi.
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