Booksellers and bookselling -- Fiction; Fathers and sons -- Fiction; London (England) -- Fiction; Poets -- Fiction
It was not for him to understand the words that the poet and his
father recited with such a holy submission; they had no meanings for
his unaccustomed ears; but the dominion of the poet’s presence, which
sprang from that which was now upon his face, the wonderful serenity of
that sightless aspect filled the young man with an awe and a credulity
which he could not recognize as belonging to himself.
“I am going wrong,” he would say in his perplexity as he went his ways
about the great city, “and, of course, they are as wrong as they can
be--yet the marvellous thing is that they make you feel that all the
world is wrong, and that they are the only reasonable people in it!”
One evening, after Jimmy Dodson had sat in a kind of entrancement for
several hours while the poet had recited many passages, he was moved
to ask with dry lips, “I say, old boy, Homer and Milton were blind,
weren’t they?”
“Tradition has it so,” said the poet, and his sightless aspect was
suffused with that secret and beautiful smile that had come to haunt
poor Dodson in his dreams. “But what is ‘tradition’ but an adumbration
of the light that never was?”
On the evening that the last line of the poem had been passed for the
press with an astonishing thoroughness and celerity by the co-operation
of two minds which had to be almost independent of the use of the
eyes, the poet committed these final pages to the care of his faithful
emissary with further injunctions for their prosperity in the great
world out of doors.
“Let our little treatise have reticence, chastity, sobriety,” he said.
“I wish you could see the binding I have chosen,” said Jimmy Dodson.
“Octavius calls it very chaste indeed--you can’t think what an interest
Octavius is taking in the publication. Octavius made one error in his
life, which we will not refer to now, but he has turned out trumps over
this. He would give his ears to know the name of the author!”
“That is a secret you are pledged to respect,” said William Jordan in
his voice of soft irony.
“You can be quite easy about that, old boy,” said Jimmy Dodson. “Wild
horses shall not drag it from me; and, of course, there is not a soul
in the world who would ever suspect that the author is you.”
“I trust you,” said the poet simply. “And there is only one further
charge with which I shall tax our friendship. I shall ask you to
collect all the papers that bear the impress of my hand, and lodge them
at the English Museum, in the custody of the English nation.”
James Dodson contrived to dissemble his bewildered surprise.
“Of course I will do so, old boy,” he said gravely and promptly. “I
will make a parcel of the manuscript now. It is too late to take it
round there to-night; but the first thing to-morrow I will take an hour
off from the office, and I will carry it to the English Museum myself.”
“Thank you, thank you,” said the poet. “I thank you in the name of
truth and of ages yet to be.”
LV
Public-domain text, read in full here on John Shaqi.
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