Booksellers and bookselling -- Fiction; Fathers and sons -- Fiction; London (England) -- Fiction; Poets -- Fiction
Mr. Tovey looked up from his weekly perusal of the _Journal of
Literature_, to which he was a constant and esteemed contributor.
“The parcel?” he said. “What parcel, Wordsworth? Oh, yes, I think I
remember.” And then with a slightly humorous deprecation which had cost
him two-thirds of a lifetime to acquire, “Suppose, Wordsworth, you
light the fires with that parcel--and, Wordsworth, suppose you don’t
make a noise when you close the door.”
LVI
At eight o’clock in the evening of the same day when Jimmy Dodson made
his nightly pilgrimage to the little room, he was greeted eagerly by
him who kept the chimney-side.
“Our little treatise is in worthy hands at the English Museum?” he
said. “But, good friend, I am so persuaded of it that I do not ask you
to answer.”
“I do answer all the same, old boy,” said Jimmy Dodson with a fervour
which was born of careful preparation. “I took it to the chief, the
head man, the curator or whatever they call him--you see, old boy, I
thought if I left it to an understrapper it might get mislaid.”
“It might, it might,” said the poet with a smile of approval. “This
little world of ours is so strange in its ways.”
“And what is more,” said Jimmy Dodson, “I told him what it was. I told
him it was absolutely the greatest poem in the world.”
“That was doubtless wise,” said the poet with his curious simplicity.
“Yet, what do you think, old boy?” said Jimmy Dodson with indignation.
“He as good as said he didn’t believe it. He as good as called me a
liar.”
“Ah,” said the poet, breathing deep. “And then--and then, in what
manner did you answer him?”
“Why, old boy,” said Jimmy Dodson proudly, “I did precisely what you
would have done yourself. I whipped the string off the parcel; I handed
him the first page of the manuscript, and I said, ‘There it is; now
look at it for yourself!’”
“Oh good, oh brave!” cried he who was sightless. “And--and----?”
As his lips shaped the question, the breath of the dying poet came in
great heavy gasps. The face of the unhappy Dodson was set like a piece
of marble, but there was a curious intensity burning in his eyes.
“And--and? Why, what do _you_ think, old boy?” said the faithful
emissary, and he paused dramatically.
“He was silent,” said the poet. “He did not speak.”
Public-domain text, read in full here on John Shaqi.
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