Nelson, William, 1816-1887; Publishers and publishing
had their schools of architecture and art: where were the Arabs or Moors
taught? Their peculiar style, so far as I know,’ he added, ‘rose
rapidly, almost at a bound. We can scarcely discover any trace of
progress from rude beginnings, as in the Greek architecture. This has
ever been to me a most interesting and mysterious subject.’” Mr. Nelson
evidently thought and read not a little upon Moorish architecture, but,
like many another student, without arriving at any satisfactory result.
“How the wild tribes who came up from the desert of Arabia, and occupied
in succession the great cities of Syria, Egypt, northern Africa, and
lastly of Spain, attained to so much taste and splendour in architecture
seems a mystery.” Then he remarked: “When Arab rule ceased, architecture
declined in all those places, and has never been revived.” He remarked
more than once: “Were not the Arabs, especially those in the great
cities of the East, a literary people? Had they not a multitude of books
on the various departments of science and philosophy? Was not their
language capable of expressing the most profound thoughts? Did it not
give evidence of high cultivation?” The impress of their intellectual
influence, still manifest throughout Christian Spain, attracted his
notice on all hands, and especially in its ecclesiastical architecture.
The Moorish artists, he observed, had furnished the models on which,
after the conquest of Granada, the architects of Christian Spain
wrought. When conversing about the celebrated Cathedral of Cordova, he
said: “That appears to me to be one of the most remarkable buildings in
Spain, or perhaps in the world. It seems to be of purely Arab
architecture: in all respects like a mosque, and adapted originally for
the Moslem worship. Its internal decoration too is Arab, with the
flaring stripes on the walls of red and white paint, and the imitation
of red and white stones in the circular arches;” and he observed that he
had seen rude painting exactly resembling it in several of the private
houses and on the outside of the mosques in Damascus and Cairo. Nothing
different from ordinary usage, either in building or internal
decoration, escaped his keen observation; but his ignorance of the
language precluded him from that familiar intercourse with the people
which, when opportunity offered, he ordinarily turned to such good
account.
Public-domain text, read in full here on John Shaqi.
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