Before disposing of the events of this period of the Emperor's life mention may be made of two or three occurrences which must have been a source of political interest or social entertainment to him. From among them we select the Dreyfus case and the historic scene arranged for the painter, Adolf Menzel, in Sans Souci. The Dreyfus case, though its investigation brought to light no fact implicating the German authorities, naturally aroused interest throughout Germany. The interest was felt equally in the army, notwithstanding that it contains no Jewish officer, and among the civil population. In France, it will be remembered, the case acquired its importance from the charge, made by the anti-Semite Drumont and his journal _La Libre Parole_, that the Jews were exploiting the Government and the country. There is an anti-Semite party in Germany, founded by the Court preacher Stoecker in 1878, but possibly owing to the prudence and good citizenship of the Jews in Germany, it has gained little weight or momentum since. The "affaire," as it was universally known, was only once referred to in the German Parliament, in January, 1898, when Chancellor von Bülow declared "in the most positive way possible" that there had "never been any traffic or relations of any kind whatsoever between Dreyfus and any German authority," adding that the alleged finding of an official German communication in the wastepaper basket of the German Embassy in Paris was a fiction. The Chancellor concluded by saying that the case had in no respect ever troubled relations between Germany and France. The incident most often cited as evidence of the Emperor's love of recalling the days of his great ancestor, Frederick the Great, is the concert he arranged at Sans Souci on June 13, 1895, to gratify, we may be sure, as well as surprise, the famous painter. The incident and its origin are described in a work already mentioned, the "Private Lives of William II and His Consort," by a lady of the Court. The account given below is illustrative of the unfriendly sentiments which are evident throughout the work, but the lady is probably fairly accurate as regards the incident, and in any case her gossip will give the reader some notion, though by no means an entirely faithful one, of the Court atmosphere at the time. Talk at the palace during afternoon tea having turned on the fact that Adolf Menzel, the painter, would shortly celebrate his eightieth birthday, some one remarked on the refusal by the Court marshal in the previous reign to allow him to see the scene of his celebrated "Flute Concert at Sans Souci," which he was then composing, lighted up. The conversation, according to the lady writer, continued thus:-- "'Maybe he was frightened at the prospect of furnishing a couple of dozen wax candles,' sneered the Duke of Schleswig. "'More likely he knew nothing of Menzel's growing reputation,' suggested Begas, the sculptor.