Germany -- Politics and government -- 1888-1918; William II, German Emperor, 1859-1941
Early in August the Emperor was called to the death-bed of his mother,
the Empress Frederick, at her castle in Cronberg. She died on the
afternoon of her son's arrival, on August 5th. The Emperor ordered
mourning throughout the Empire for six weeks, and forbade all "public
music, entertainments, theatrical or otherwise" until after the
funeral. The Empress was buried in the mausoleum attached to the
Friedenskirche in Potsdam on the 13th of the month.
The delivery of a famous speech on art by the Emperor in December
brings the chronicle of 1901 to a close, but perhaps it will not
displease the reader if a new chapter is opened for the purpose of
quoting it and of considering the Emperor in what is a traditional
Hohenzollern relationship.
X.
THE EMPEROR AND THE ARTS
Art is a favourite subject of conversation on the Continent, where it
is more popularly discussed than in England and where authorities of
all kinds are more alive to its educative capabilities. It is
eminently "safe" ground, does not savour of gossip, and no one need
leave the field of discussion with the feeling that he has been driven
from it. Hence it is the salvation of diplomatists who are
apprehensive of committing their Governments or themselves when mixing
in general society, and it doubtless does good service for the Emperor
also upon occasion. Indeed it is a topic on which he speaks willingly
and well.
Unfortunately for precision of thought and speech, though useful for
the man in the street, the word "art" has been pressed into the
service of metaphor more than almost any other word in language. We
are told in turn that everything is an art--hair-dressing,
salad-dressing (a different kind), lying, flying, dying. The Germans
are trying to make an art of life. Whistler wrote about the "Gentle
Art of Making Enemies." One hears of "artful hussies" and "artful
dodgers." People are described as "artful" in the small diplomacies of
intercourse. Jugglers, acrobats, sword-swallowers, "supers" at the
theatre, the men who play the elephant in the pantomime would all be
mortified if they were not addressed as "artists," In short,
everything may be called an art.
Public-domain text, read in full here on John Shaqi.
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