Dramatists, English -- Early modern, 1500-1700 -- Biography; Shakespeare, William, 1564-1616; Stratford-upon-Avon (England) -- Biography
This land which has been Gaul, and where the Velledas reigned,
has, in a Catholic and historic sense, for patronesses two august
figures,--Mary and Joan. The one, holy, is the Virgin; the other,
heroic, is the Maid. Louis XIII. gave France to the one; the other has
given France to France. The monument of the second should not be less
high than the monument of the first Joan of Arc must have a trophy as
grand as Notre-Dame. When shall she have it?
England has failed utterly to pay its debt to Shakespeare; but so also
has France failed toward Joan of Arc.
These ingratitudes require to be sternly denounced. Doubtless the
governing aristocracies, which blind the eyes of the masses, deserve
the first accusation of guilt; but on the whole, conscience exists
for a people as for an individual. Ignorance is only an attenuating
circumstance; and when these denials of justice last for centuries,
they remain the fault of governments, but become the fault of nations.
Let us know, when necessary, how to tell nations of their shortcomings.
France and England, you are wrong.
To flatter peoples would be worse than to flatter kings. The one is
base, the other would be cowardly.
Let us go further, and since this thought has been presented to us,
let us generalize it usefully, even if we should leave our subject for
a while. No; the people have not the right to throw indefinitely the
fault upon governments. The acceptation of oppression by the oppressed
ends in becoming complicity. Cowardice is consent whenever the duration
of a bad thing, which presses on the people, and which the people could
prevent if they would, goes beyond the amount of patience endurable by
an honest man; there is an appreciable solidarity and a partnership in
shame between the government guilty of the evil and the people allowing
it to be done. To suffer is worthy of veneration; to submit is worthy
of contempt. Let us pass on.
A noteworthy coincidence: the man who denies Shakespeare, Voltaire,
is also the insulter of Joan of Arc. But then what is Voltaire?
Voltaire--we may say it with joy and sadness--is the French mind. Let
us understand: it is the French mind, up to the Revolution exclusively.
From the French Revolution, France increasing in greatness, the French
mind grows larger, and tends to become the European mind; it is less
local and more fraternal, less Gallic and more human. It represents
more and more Paris, the city heart of the world. As for Voltaire,
he remains as he is,--the man of the future, but also the man of the
past. He is one of those glories which make the thinker say yes and no;
he has against him two sarcasms, Joan of Arc and Shakespeare. He is
punished through what he sneered at.
CHAPTER V.
In truth, a monument to Shakespeare, _cui bono?_ The statue that he
has made for himself is worth more, with all England for a pedestal.
Shakespeare has no need of a pyramid; he has his work.
Public-domain text, read in full here on John Shaqi.
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