Dramatists, English -- Early modern, 1500-1700 -- Biography; Shakespeare, William, 1564-1616; Stratford-upon-Avon (England) -- Biography
The writers and poets of the nineteenth century have the admirable
good fortune of proceeding from a genesis, of arriving after an end
of the world, of accompanying a reappearance of light, of being the
organs of a new beginning. This imposes on them duties unknown to
their predecessors--the duties of intentional reformers and direct
civilizers. They continue nothing; they remake everything. For new
times, new duties. The function of thinkers in our days is complex; to
think is no longer sufficient,--they must love; to think and love is
no longer sufficient,--they must act; to think, to love, and to act,
no longer suffices,--they must suffer. Lay down the pen, and go where
you hear the grapeshot. Here is a barricade; be one on it. Here is
exile; accept it. Here is the scaffold; be it so. Let John Brown be
in Montesquieu, if needful. The Lucretius required by this century in
labour should contain Cato. Æschylus, who wrote the "Orestias" had for
a brother Cynegyrus, who fastened with his teeth on the ships of the
enemies: that was sufficient for Greece at the time of Salamis, but
it no longer suffices for France after the Revolution. That Æschylus
and Cynegyrus are brothers is not enough; they must be the same
man. Such are the actual requirements of progress. Those who devote
themselves to great and pressing things can never be too great. To
set ideas in motion, to heap up evidence, to pile up principles, that
is the redoubtable movement. To heap Pelion on Ossa is the labour of
infants beside that work of giants, the placing of right upon truth.
To scale that afterward, and to dethrone usurpations in the midst of
thunders,--such is the work.
Public-domain text, read in full here on John Shaqi.
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