William Shakespeare: A Critical StudyBrandes, Georg
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William Shakespeare: A Critical Study
Brandes, Georg
Shakespeare, William, 1564-1616 -- Criticism and interpretation
It would be to misunderstand the whole spirit of the play if we were
to reproach Friar Laurence with the not only romantic but preposterous
nature of the means he adopts to help the lovers--the sleeping-potion
administered to Juliet. This Shakespeare simply accepted from his
original, with his usual indifference to external detail.
The poet has placed in the mouth of Friar Laurence a tranquil
life-philosophy, which he first expresses in general terms, and then
applies to the case of the lovers. He enters his cell with a basket
full of herbs from the garden. Some of them have curative properties,
others contain death-dealing juices; a plant which has a sweet and
salutary smell may be poisonous to the taste; for good and evil are but
two sides to the same thing (ii. 3):--
"Virtue itself turns vice, being misapplied,
And vice sometimes's by action dignified.
Within the infant rind of this sweet flower
Poison hath residence, and medicine power:
For this, being smelt, with that part cheers each part;
Being tasted, slays all senses with the heart.
Two such opposed kings encamp them still
In man as well as herbs,--grace, and rude will;
And where the worser is predominant,
Full soon the canker death eats up that plant."
When Romeo, immediately before the marriage, defies sorrow and death in
the speech beginning (ii. 6)--
"Amen, Amen! but come what sorrow can,
It cannot countervail the exchange of joy
That one short minute gives me in her sight,"
Laurence seizes the opportunity to apply his view of life. He fears
this overflowing flood-tide of happiness, and expounds his philosophy
of the golden mean--that wisdom of old age which is summed up in the
cautious maxim, "Love me little, love me long." Here it is that he
utters the above-quoted words as to the violent ends ensuing on violent
delights, like the mutual destruction wrought by the kiss of fire and
gunpowder. It is remarkable how the idea of gunpowder and of explosions
seems to have haunted Shakespeare's mind while he was busied with the
fate of Romeo and Juliet. In the original sketch of Juliet's soliloquy
in the fifth scene of the second act we read:--
"Loue's heralds should be thoughts,
And runne more swift, than hastie powder fierd,
Doth hurrie from the fearfull cannons mouth."
When Romeo draws his sword to kill himself, the Friar says (iii. 3):
"Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skilless soldier's flask,
Is set a-fire by thine own ignorance,
And thou dismember'd with thine own defence."
Romeo himself, finally, in his despair over the false news of Juliet's
death, demands of the apothecary a poison so strong that
"the trunk may be discharg'd of breath
As violently, as the hasty powder fir'd,
Doth hurry from the fatal cannon's womb."
Public-domain text, read in full here on John Shaqi.
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