English drama (Comedy); English drama -- 17th century
_Prue._ Indeed you may, your worship--
_Mons._ It cannot be.
_Prue._ Insensible beast! he will not understand me yet; and one would
think I speak plain enough. [_Aside._
_Mons._ Well, but, Prue, what art thou thinking of?
_Prue._ Of the dream, whether it were a dream or no.
_Mons._ 'Twas a dream, I warrant thee.
_Prue._ Was it? I am hugeous glad it was a dream.
_Mons._ Ay, ay, it was a dream: and I am hugeous glad it was a dream
too.
_Prue._ But now I have told your worship my door has neither lock nor
latch to it, if you should be so naughty as to come one night, and
prove the dream true--I am so afraid on't.
_Mons._ Ne'er fear it:--dreams go by the contraries.
_Prue._ Then, by that I should come into your worship's chamber, and
come to bed to your worship.--Now am I as red as my petticoat again, I
warrant.
_Mons._ No, thou art no redder than a brick unburnt, Prue.
_Prue._ But if I should do such a trick in my sleep, your worship
would not censure a poor harmless maid, I hope?--for I am apt to walk
in my sleep.
_Mons._ Well, then, Prue, because thou shalt not shame thyself, poor
wench, I'll be sure to lock my door every night fast.
_Prue._ [_Aside._] So! so! this way I find will not do:--I must come
roundly and downright to the business, like other women, or--
_Enter_ GERRARD.
_Mons._ O, the dancing-master!
_Prue._ Dear sir, I have something to say to you in your ear, which I
am ashamed to speak aloud.
_Mons._ Another time, another time, Prue. But now go call your mistress
to her dancing-master. Go, go.
_Prue._ Nay, pray hear me, sir, first.
_Mons._ Another time, another time, Prue; prithee begone.
_Prue._ Nay, I beseech your worship hear me.
_Mons._ No; prithee begone.
_Prue._ [_Aside._] Nay, I am e'en well enough served for not speaking
my mind when I had an opportunity.--Well, I must be playing the modest
woman, forsooth! a woman's hypocrisy in this case does only deceive
herself. [_Exit._
_Mons._ O, the brave dancing master! the fine dancing-master! Your
servant, your servant.
_Ger._ Your servant sir: I protest I did not know you at
first--[_Aside._] I am afraid this fool should spoil all,
notwithstanding Hippolita's care and management; yet I ought to trust
her:--but a secret is more safe with a treacherous knave than a
talkative fool.
_Mons._ Come, sir, you must know a little brother dancing-master of
yours--walking master I should have said; for he teaches me to walk
and make legs, by-the-bye. Pray, know him, sir; salute him, sir.--You
Christian dancing-masters are so proud.
_Ger._ But, monsieur, what strange metamorphosis is this? You look like
a Spaniard, and talk like an Englishman again, which I thought had been
impossible.
_Mons._ Nothing impossible to love: I must do't, or lose my mistress,
your pretty scholar; for 'tis I am to have her. You may remember I told
you she was to be married to a great man, a man of honour and quality.
Public-domain text, read in full here on John Shaqi.
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