English drama (Comedy); English drama -- 17th century
_Hip._ Here, master, pray play for my sake. [_Gives_ GERRARD _the
violin._
_Ger._ What would you have me do with it?--I cannot play a stroke.
[_Apart to_ HIPPOLITA.
_Hip._ No! stay--then seem to tune it, and break the strings. [_Apart
to_ GERRARD.
_Ger._ Come then.--[_Aside._] Next to the devil's, the invention of
women! They'll no more want an excuse to cheat a father with, than an
opportunity to abuse a husband.--[_Aloud._] But what do you give me
such a damned fiddle with rotten strings, for? [_Winds up the strings
till they break, and throws the violin on the ground._
_Don._ Hey-day! the dancing-master is frantic.
_Mons._ Ha! ha! ha! That people should be made such fools of! [_Aside._
_Mrs. Caut._ He broke the strings on purpose, because he could not
play.--You are blind, brother.
_Don._ What! will you see further than I, look you?
_Hip._ But pray, master, why in such haste? [GERRARD _offers to go._
_Ger._ Because you have done with me.
_Don._ But don't you intend to come to-morrow, again?
_Ger._ Your daughter does not desire it.
_Don._ No matter; I do; I must be your paymaster, I'm sure. I would
have you come betimes too; not only to make her perfect, but since
you have so good a hand upon the violin, to play your part with
half-a-dozen of musicians more, whom I would have you bring with
you: for we will have a very merry wedding, though a very private
one.--You'll be sure to come?
_Ger._ Your daughter does not desire it.
_Don._ Come, come, baggage, you shall desire it of him; he is your
master.
_Hip._ My father will have me desire it of you, it seems.
_Ger._ But you'll make a fool of me again if I should come; would you
not?
_Hip._ If I should tell you so, you'd be sure not to come.
_Don._ Come, come, she shall not make a fool of you, upon my word. I'll
secure you, she shall do what you will have her.
_Mons._ Ha! ha! ha! So, so, silly Don. [_Aside._
_Ger._ But, madam, will you have me come?
_Hip._ I'd have you to know, for my part, I care not whether you
come or no:--there are other dancing-masters to be had:--it is my
father's request to you. All that I have to say to you is a little good
advice, which, because I will not shame you, I'll give you in private.
[_Whispers_ GERRARD.
_Mrs. Caut._ What! will you let her whisper with him too?
_Don._ Nay, if you find fault with it, they shall whisper, though I
did not like it before:--I'll ha' nobody wiser than myself. But do you
think, if 'twere any hurt, she would whisper it to him before us?
_Mrs. Caut._ If it be no hurt, why does she not speak aloud?
_Don._ Because she says she will not put the man out of countenance.
_Mrs. Caut._ Hey-day! put a dancing-master out of countenance!
_Don._ You say he is no dancing-master.
_Mrs. Caut._ Yes, for his impudence he may be a dancing-master.
Public-domain text, read in full here on John Shaqi.
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