English drama (Comedy); English drama -- 17th century
_Spark._ Come, you bubbling rogues you, where do we sup?--Oh, Harcourt,
my mistress tells me you have been making fierce love to her all the
play long: ha! ha!--But I--
_Har._ I make love to her!
_Spark._ Nay, I forgive thee, for I think I know thee, and I know her;
but I am sure I know myself.
_Har._ Did she tell you so? I see all women are like these of the
Exchange; who, to enhance the prize of their commodities, report to
their fond customers offers which were never made 'em.
_Horn._ Ay, women are apt to tell before the intrigue, as men after
it, and so show themselves the vainer sex. But hast thou a mistress,
Sparkish? 'Tis as hard for me to believe it, as that thou ever hadst a
bubble, as you bragged just now.
_Spark._ O, your servant, sir: are you at your raillery, sir? But we
are some of us beforehand with you to-day at the play. The wits were
something bold with you, sir; did you not hear us laugh?
_Horn._ Yes; but I thought you had gone to plays, to laugh at the
poet's wit, not at your own.
_Spark._ Your servant, sir: no, I thank you. 'Gad I go to a play as to
a country treat; I carry my own wine to one, and my own wit to t'other,
or else I'm sure I should not be merry at either. And the reason why
we are so often louder than the players, is, because we think we speak
more wit, and so become the poet's rivals in his audience: for to tell
you the truth, we hate the silly rogues; nay, so much, that we find
fault even with their bawdy upon the stage, whilst we talk nothing else
in the pit as loud.
_Horn._ But why shouldst thou hate the silly poets? Thou hast too much
wit to be one; and they, like whores, are only hated by each other: and
thou dost scorn writing, I'm sure.
_Spark._ Yes; I'd have you to know I scorn writing: but women,
women, that make men do all foolish things, make 'em write songs too.
Everybody does it. 'Tis even as common with lovers, as playing with
fans; and you can no more help rhyming to your Phillis, than drinking
to your Phillis.
_Har._ Nay, poetry in love is no more to be avoided than jealousy.
_Dor._ But the poets damned your songs, did they?
_Spark._ Damn the poets! they have turned 'em into burlesque, as they
call it. That burlesque is a hocus-pocus trick they have got, which, by
the virtue of _Hictius doctius topsy turvy_, they make a wise and witty
man in the world, a fool upon the stage you know not how: and 'tis
therefore I hate 'em too, for I know not but it may be my own case; for
they'll put a man into a play for looking asquint. Their predecessors
were contented to make serving-men only their stage-fools: but these
rogues must have gentlemen, with a pox to 'em, nay, knights; and,
indeed, you shall hardly see a fool upon the stage but he's a knight.
And to tell you the truth, they have kept me these six years from being
a knight in earnest, for fear of being knighted in a play, and dubbed a
fool.
_Dor._ Blame 'em not, they must follow their copy, the age.
Public-domain text, read in full here on John Shaqi.
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