The castle of Cardyllion is a vast ruin, a military fortress of the
feudal times, built on a great scale, and with prodigious strength. Its
ponderous walls and towers are covered thick with ivy. It is so vast
that the few visitors who are to be found there when the summer is over,
hardly disquiet its wide solitudes and its silence. For a time I induced
Miss Pounden to come down there nearly every afternoon, and we used to
bring our novels, and she, sometimes her work; and we sat in the old
castle, feeling, in the quiet autumn, as if we had it all to ourselves.
The inner court is nearly two hundred feet square, and, ascending a
circular stair in the angle next the great gate, you find yourself at
the end of a very dark stone-floored corridor, running the entire
length of the building. This long passage is lighted at intervals by
narrow loop-holes placed at the left; and in the wall to the right,
after having passed several doors, you come, about mid-way, to one
admitting to the chapel. It is a small stone-floored chamber, with a
lofty groined roof, very gracefully proportioned; a tall stone-shafted
window admits a scanty light from the east, over the site of the
dismantled altar; deep shadow prevails everywhere else in this pretty
chapel, which is so dark in most parts that, in order to read or work,
one must get directly under the streak of light that enters through the
window, necessarily so narrow as not to compromise the jealous rules of
mediæval fortification. A small arch, at each side of the door, opens a
view of this chamber from two small rooms, or galleries, reached by
steps from this corridor.
We had placed our camp-stools nearly under this window, and were both
reading; when I raised my eyes they encountered those of a very
remarkable-looking old man, whom I instantly recognised, with a start.
It was the man whom we used, long ago, to call the Knight of the Black
Castle. His well-formed, bronzed face and features were little changed,
except for those lines that time deepens or produces. His dark, fierce
eyes were not dimmed by the years that had passed, but his long black
hair, which was uncovered, as tall men in those low passages were
obliged to remove their hats, was streaked now with grey. This stern old
man was gazing fixedly on me, from the arch beside the door, to my left,
as I looked at him, and he did not remove his eyes as mine met his.
Sullen, gloomy, stern was the face that remained inflexibly fixed in the
deep shadow which enhanced its pallor. I turned with an effort to my
companion, and said:
"Suppose we come out, and take a turn in the grounds."
To which, as indeed to everything I proposed, Miss Pounden assented.
Public-domain text, read in full here on John Shaqi.
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