"I don't very much care. Perhaps you are right. Yes, I will go down and
see him," I said. "Go you down, Rebecca, and tell him that I am coming."
I had been lying on my bed, and required to adjust my hair, and dress a
little.
As I came downstairs a few minutes later, I passed poor mamma's door;
the key turned in it. Was I walking in a dream? Mamma dead, and Sir
Harry Rokestone waiting in the drawing-room to see me! I leaned against
the wall, feeling faint for a minute.
As I approached the drawing-room door, which was open, I heard
Rebecca's voice talking to him; and then the old man said, in a broken
voice:
"Where's the child? Bring her here. I will see the bairn."
I was the "bairn" summoned to his presence. This broad north-country
dialect, the language, I suppose, of his early childhood, always
returned to him in moments when his feelings were excited. I entered the
room, and he strode towards me.
"Ha! the lassie," he cried, gently. There was a little tremor in his
deep voice; a pause followed, and he added, vehemently, "By the God
above us, I'll never forsake you!"
He held me to his heart for some seconds without speaking.
"Gimma your hand. I love you for her sake," he said, and took my hand
firmly and kindly in his, and he looked earnestly in my face for awhile
in silence. "You're like her; but, oh! lassie, you'll never be the same.
There'll never be another such as Mabel."
Tears, which he did not dry or conceal, trickled down his rugged cheeks.
He had been talking with Rebecca Torkill, and had made her tell him
everything she could think of about mamma.
"Sit ye down here, lass," he said to me, having recovered his
self-possession. "You are to come home wi' me, to Gouden Friars, or
wherever else you like best. You shall have music and flowers, and books
and dresses, and you shall have your maid to wait on you, like other
young ladies, and you shall bring Rebecca with you. I'll do my best to
be kind and helpful; and you'll be a blessing to a very lonely old man;
and as I love you now for Mabel's sake, I'll come to love you after for
your own."
I did not think his stern old face could look so gentle and sorrowful,
and the voice, generally so loud and commanding, speak so tenderly. The
light of that look was full of compassion and melancholy, and indicated
a finer nature than I had given the uncouth old man credit for. He
seemed pleased by what I said; he was doing, he felt, something for
mamma in taking care of the child she had left so helpless.
Days were to pass before he could speak to me in a more business-like
way upon his plans for my future life, and those were days of agitation
and affliction, from which, even in memory, I turn away.
Public-domain text, read in full here on John Shaqi.
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