Wilson's Tales of the Borders and of Scotland, Volume 01
General
Wilson's Tales of the Borders and of Scotland, Volume 01
Scottish Borders (Scotland) -- Fiction
each somewhat from the other, they are united by one common bond of
character--they are varieties of the same animal--the different species
under one genus. I like this. I am always in high spirits when I pass
through a fishing village or a fisher street. No accumulation of filth
in every hue--of shell, and gill, and fish-tail--can disgust me. I even
smell a sweet savour from their empty baskets, as they exhale themselves
dry in the sunbeam. And then there is a hue of robust health over all.
No mincing of matters. Female arms and legs of the true Tuscan
order--cheeks and chins where neither the rose nor the bone has been
stinted. Children of the dub and the mire--all agog in demi-nudity, and
following nature most vociferously. Snug, comfortable cabins, where
garish day makes no unhandsome inquiries, and where rousing fires and
plentiful meals abide from June to January. They have a language, too,
of their own--the true Mucklebacket dialect; and freely and firmly do
they throw from them censure, praise, or ribaldry. The men are here but
men; mere human machines--useful, but not ornamental--necessary
incumbrances rather than valuable protectors. "Poor creature!" says Meg
of the Mucklebacket, "she canna maintain a man." Sir Walter saw through
the character I am labouring to describe; and, in one sentence, put life
and identity into it. I know he was exceedingly fond of conversing with
fisherwomen in particular. But, whilst such are the general features,
each locality I have mentioned has its distinctive lineaments. The
Newhaven fisherwoman (for the man is unknown) is a bundle of snug
comfort. Her body, her dress, her countenance, her basket, her voice,
all partake of the same character of _enbonpointness_. Yet there is
nothing at all untidy about her. She may ensconce her large limbs in
more plaiden coverings than the gravedigger in "Hamlet" had waistcoats,
but still she moves without constraint; and under a burden which would
press my lady's waiting-maid to the carpet, she moves free, firm,
elastic. Her tongue is not labour-logged, her feet are not
creel-retarded; but, altogether unconscious of the presence of hundreds,
she holds on her way and her discourse as if she were a caravan in the
desert. She is to be found in every street and alley of Auld Reekie,
till her work is accomplished. Her voice of call is exceedingly musical,
and sounds sweetly in the ears of the infirm and bedrid. All night long
she holds her stand close by the theatre, with her broad knife and her
opened oyster. In vain does the young spark endeavour to engage her in
licentious talk. He soon discovers that, wherever her feelings or
affections tend, they do not point in his favour. Thus, loaded with
pence, and primed with gin, she returns by midnight to her home--there
to share a supper-pint with her man and her neighbours, and to prepare,
by deep repose, for the duties of a new day. Far happier and far more
Public-domain text, read in full here on John Shaqi.
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