Thus longer time passed, but there seemed no change to Alice, save in the continual decrease of the frame, under the pressure of a mind that communed with the past, and only looked to the future as containing some day that would witness the termination of her sorrows. The anglers on the Lyne became familiar with her figure, for they had seen it on the heights, with her garments floating in the breeze, and had come up to her as she sat by the waterside, but they passed on. At the worst she could be but one whose spirit was not settled enough to admit of her according with the ways of honest maidens; and they might regret that the beauty that still lurked amidst the ravages of the disease of the heart, had not been turned to better account. It is thus that one part of mankind surveys another: they form their theory of a condition whose secret nature is only known to its possessor; draw their moral from false premises, formed as a compliment to their own conduct and situation, and pass on to their pleasure. Yet there occurred an important exception to these remarks:--One day Alice had taken up her seat on the banks of a small pond in front of the house of Whitecraigs. She sat opposite to the front of the dwelling, and seemed to survey its closed windows and deserted appearance, with the long grass growing up through the gravel of the walks--the broken pailings and decayed out-houses; a scene that might be supposed to harmonize with the feelings of a mind broken and desolate. There might seem even a consanguinity in the causes of the condition of both. The scene might have suited the genius of a Danby. There was no living creature to disturb the silence. The house of faded white, among the dark trees, cheerless and forsaken; the face of Alice Scott emaciated and pale, with the lustre of the loch, shining in the sun, reflected on it, directed towards the habitation of which she should have been mistress; her eyes, which had forgotten the relief of tears, fixed on the scene so pregnant with unavailing reminiscences--with these we would aid the artist. But the charm was gone, as a voice sounded behind her. She started, and, according to her custom, would have fled as the hare that remembers the snare; but she was detained. A man, advanced in years, poorly clad, with hair well smitten with snow tints, and a staff in his hand, stood beside her, holding her by the skirt of the gown. "I am weary," said he; "I have walked from Moffat, and would sit here for a time, if you would speak to me of the scenes and people of these parts." And the application of his hand again to her gown secured a compliance, dictated more by fear than inclination. She sat, while she trembled. "You are fair," continued he; "but my experience of sorrow tells me that grief has been busier with your young heart than years. I will not pry into your secrets. To whom does Whitecraigs now belong?"