Wilson's Tales of the Borders and of Scotland, Volume 05
General
Wilson's Tales of the Borders and of Scotland, Volume 05
Scottish Borders (Scotland) -- Fiction
Tea over, Mr. Andrew Micklewhame, having first seen to his accommodation
for the night, and secured a place in the Stirling omnibus, which was
advertised to start the next morning precisely at nine, wended his way
quietly to the theatre. It was in the Assembly Room--a rumbling old
mansion, on the windows of which "time's effacing fingers" had taken
_pains_ to leave their mark so effectually, that sundry detachments of
old soot-bedizzened "clouts" filled up those interstices where glass had
once been. "The nonpareil company of comedians" entertained their
audiences and held their orgies on the second floor--the first being
occupied as an academy, where "young gentlemen are taken in and done
for." The scenes in which the establishment rejoiced were five in
number. Luckily, "Venice Preserved" did not require so many; but in "Rob
Roy" the manager was compelled to make them perform double duty; and,
consequently, the same scene was thrust on for the inside of a village
inn apartment in Bailie Nicol Jarvie's, and the interior of Jean
M'Alpine's change-house. The audience department was most gorgeous;
there were boxes, pit, and gallery; or, in other words, front, middle,
and back seats--the term "boxes" being applied to the front form, to
which there was a back attached, most aristocratically garnished with
green cloth, with brass nails in relief. At the farther end of this form
"an efficient orchestra" was placed. It consisted of a boy to play the
panpipes and the triangles at one and the same moment, a lad to thump
away at the bass drum, and a blind man to perform on the clarionet--the
last being dignified in the bills by the title of "leader of the
orchestra, and conductor of music." The whole under the immediate
superintendence of Mr. Ferdinand Gustavus Trash.
After an immensity of preliminary puffs into the clarionet, occasional
rattles on the drum, and consultations among themselves as to the air to
be played, the musicians struck up the spirit-stirring "All Round my
Hat;" which, though achieved in beautiful disregard of time and concord,
was received with great--ay, with very great applause, by the
momentarily increasing audience, some of whom mistook it for "God Save
the King," and, in an extreme fit of loyalty, bawled out--"Off hats!
stand up!" with which command many did not hesitate to comply.
Public-domain text, read in full here on John Shaqi.
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