Wilson's Tales of the Borders and of Scotland, Volume 07
General
Wilson's Tales of the Borders and of Scotland, Volume 07
Scottish Borders (Scotland) -- Fiction
upon the bench, spread it over me as a blanket. It was the most
comfortable covering I had had for many nights. But scarce had sleep,
which pressed heavily upon me, sealed up my eyelids, when I was aroused
by a rude hand shaking me by the shoulder, and a ruder voice exclaiming,
'Holloa! who have we got here?' It was the proprietor of the shed. I
started--rubbed my eyes--stammered out an apology. A crowd of fishwomen
and porters gathered round us. The fishmonger spoke of calling for the
police. I expostulated. He offered to hold me. I raised my hand, and I
am thankful that his table, which was a fixture, was between him and the
river. I rushed through the crowd; and whether the blow which I had lent
the fishmonger operated upon their courage and humanity, I cannot tell,
but they made way for me. I had not, however, proceeded far, when sleep
again became too much for me, and too literally I 'caught myself
tripping.' Its influence was irresistible, and St Paul's had not yet
chimed the hour of three. I saw a cart standing beneath an open gateway;
and, with gratitude in my heart, I lay down on it as a couch of luxury.
But there I had not lain long when I was awoke by a person at my side. I
started.
"'Don't be afraid, sir,' said the intruder; 'it is only a poor brother
in misfortune!'
"I turned round and glanced at him through the dim light, but scarce
could I discover what manner of man he was, till sleep again 'locked up
my senses in forgetfulness.' A little after daybreak, I awoke,
shivering, my joints stiff, my teeth chattering together, and my whole
body a mass of pain. I perceived that my 'poor brother in misfortune'
was, or rather I ought to say had been, dressed respectably, yea, even
fashionably. He carried with him a portfolio, which even in his sleep he
pressed closely beneath his arm. As I arose he awoke; and groaning, he
arose also and accompanied me. I know not whether it was mutual
wretchedness, or the portfolio beneath his arm, that caused me to feel a
regard for him at the first glance; but certain it is I was prepossessed
in his favour. We were a couple of strange, miserable-looking
characters, as we went drowsily, laggardly, and lamely up Fish Street
Hill together. I observed the night-watchmen, who had not left their
beat, turned round, and even held up their lanterns--though the
morning's light was well advanced--and examined us as we passed. As
though our errand or our thoughts were the same, we proceeded towards
the Park together; and when the sun arose, he opened his portfolio, and
exhibited it to me. He was an artist, and an artist, too, of high
promise. His portfolio contained many bold and vigorous pencil sketches,
where soul, taste, and a daring hand were exemplified. He had also a
number of beautiful pieces in water-colours, which showed that his touch
was delicate as well as bold. I took my pencil, and wrote a few lines on
the back of one of the Bristol boards on which one of the subjects was
Public-domain text, read in full here on John Shaqi.
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