On the day following this event, the Countess of Cassilis was removed by her husband to Cassilis Castle, an old, heavy, gloomy-looking fortalice on the banks of the Doon, in the shire of Ayr, where the unhappy lady remained for four years, heart-broken, crushed in spirit, and looking forward to the grave as the only termination of her sorrows. Her stern husband took no pains to reconcile her to her destiny, nor did he even show her any of those little kindnesses and attentions which are so well calculated to win on the female heart, and which, had they been employed in this case, might have induced the Countess of Cassilis, since she could not love, at least to esteem, her lord. But the earl had obtained, in a large accession of wealth, all that he desired or cared for in uniting himself to the unfortunate Lady Jane; and the consequence was, that, soon after his marriage, he neglected her, to pursue his schemes of ambition and personal aggrandisement. Thus left alone, as she often was, for weeks, nay, for months, in the lonely castle in which she had been immured, the Countess of Cassilis might often be seen walking on the battlements--almost the only species of recreation within her power--in solitary sadness; at one time stopping to gaze, but with listless eye, on the wide and romantic scene that lay around her; at another, to look on the leaping and foaming waters of the Doon, immortalised by the poet's song, and to think of the days that were past, of her blighted hopes and untoward destiny. Most appropriate to her, to her feelings and circumstances, would have been the melancholy song of Burns, of which her present locality was long afterwards to be the scene. Well might the poor Countess of Cassilis have exclaimed-- "Ye banks and braes o'bonny Doon, How can ye bloom sae fresh and fair! How can ye chant, ye little birds, And I sae weary fu' o'care!" But this beautiful lyric was not then in existence, nor for nearly two centuries after.